• August 9: Jane Rigler performs Entre Funérailles IV for solo flute in concert in Girona, Spain.
• August 16: Performance by Mark Applebaum and Paras Kaul of their collaborative work That Brainwave Chick, an installation in which neural activity is transformed into sound, at SIGGRAPH 2001 in Los Angeles. Performances at 10 am, noon, and 2 pm.

• September 11: NOVA guest artist concert at the University of North Texas, Denton. Mark Applebaum and UNT players present Intellectual Property for disklavier and pianist, S-tog for sound-sculptures, Tlön for 3 conductors and no players, Meditation for piano 6 hands, 1:00 for string quartet, Narcissus ReMix for tape, and Tlön ReMix for tape. Additional Music Now convocation presentation at 11 am on the previous day, September 10. (Moved to September 12.)
• September 12: Concert of electro-acoustic music featuring the new "Mouseketier" sound-sculpture and an interactive video collaboration with electric cellist Joseph Harchanko at the University Texas, Austin, 2 pm. Subsequent lecture at 3:30. (Cancelled due to world events.)

• October 5: Stanford University Friends of Music Faculty Showcase presents a concert and discussion by Mark Applebaum featuring his uncompromising and unmarketable music, jazz piano performance, and sound-sculpture improvisation. The program begins at 8 pm in the Campbell Recital Hall, Braun Music Center on the Stanford campus. 5$ (free to Friends of Music).
• October 11: A New York Debut. Speculum Musicae performs Scipio Wakes Up (originally commissioned by the Paul Dresher Ensemble) for violin, bassoon, 2 electronic keyboards, electronic drumset, electronic marimba, and 6 sound-sculptures. Part of the American Composers Orchestra's "OrchestraTech" Festival, the concert will take place at 8 pm in Merkin Hall, New York City.
• October 17: Lecture-demonstration on the Wesleyan University Colloquia Series, Middletown, Connecticut: "Schizophrenia, Narcissism, Self-Loathing, and Compulsive Hermetic-Hermeneutic/Exigent-Exegesis Disorder: Psychological Dilemmas in the Music of Mark Applebaum". 4:15 pm.
• October 19: Composition Colloquium ("Schizophrenia, Narcissism, and Self-Loathing: The Music of Mark Applebaum") at the University of California, Berkeley in Morrison Hall at 3 pm. Subsequent evening concert of electro-acoustic music at CNMAT, Berkeley, including Tlön for 3 conductors and no players.
• October 24: The Applebaum Jazz Piano Duo peforms at Stanford University at 8 pm in Dinkelspiel Auditorium. Jazz standards and original compositions for two pianos with Robert Applebaum of Chicago. $8 ($4 for students).

November 2001

• November 1: A concert of works by Mark Applebaum at Brevard College, North Carolina including Triple Concerto for piano, percussion, contrabass, concertante, and large choir.
• November 2: Jazz piano performance with the Brevard College jazz ensemble, North Carolina.
• November 3: Performance at the Smithsonian, Washington D.C., by Mark Applebaum and Paras Kaul of their collaborative work That Brainwave Chick, an installation in which neural activity is transformed into sound. (Cancelled due to anthrax scare.)
• November 9: Aphorstic Fragment, a work for video, will be performed at Harvey Mudd College, Claremont, CA, at the Harmony of Sound and Light. Galileo Auditorium, 7 pm.
• November 27: Narcissus ReMix, Tlön ReMix, and the video Aphoristic Fragment will be heard and seen in a concert at the University of Iowa, Iowa City.

January 2002

• January 27: Jane Rigler performs Entre Funérailles IV for solo flute at TUVA, Berkeley, California.
• January 31:Jane Rigler performs Entre Funérailles IV for solo flute at the Luggage Store Gallery, San Francisco. Also an "unplugged" improvisation on Mouseketier with Jane and Bay Area wind players Phillip Gelb & Tom Bickley.

February 2002

• February 4 : The Southern Oregon University Percussion Ensemble performs its arrangement of Meditation (piano 6 hands) for piano, vibraphone, and glockenspiel. SOU 8 pm.
• February 26 : A collaborative sound-sculpture performance with Paul Dresher and his new long string instrument, the Quadrachord, at CCRMA, Stanford University, 8 pm.

March 2002

• March 7: Griffin Campbell premieres Neo-Tribes for solo alto saxophone at NASA (the North American Saxophone Alliance conference) at the University of North Texas, 2:05 pm.
• March 19: MAVerick Art Organization performance in Chicago at the Ukrainian Museum of Modern Art, 7:30pm.
• March 20-21: Lectures and performances at Lewis University, Romeoville, Illinois, including a lecture/recital in the Philip Lynch Theatre on March 20 at 7:30pm.
• March 22-24: Guest Artist at Electronic Music Midwest 2002, Kansas City. Performances of 17 works on 9 different concerts of electro-acoustic music including:
  • Intellectual Property I for disklavier & pianist
  • S-tog for mouseketier & live electronics
  • Suicides (1956, 1970) for 2-channel tape
  • Pre-Composition for 8-channel tape
  • Plundergraphic for 8-channel tape, piano, live electronics, & live diffusion
  • Aphoristic Fragment for video
  • The Janus ReMixes for 2-channel tape; 11 selections

April 2002

• April 4: Guest lectures at the University of Northern Iowa.
• April 5: Performance of S-tog for sound-sculptures and live electronics at SEAMUS 2002, The University of Iowa, Iowa City.
• April 8: Performance of selections from The Janus ReMixes at Ball State University, Indiana.
• April 11: Griffin Campbell performs Neo-Tribes for solo alto saxophone at the University of Illinois at Urbana-Champaign.
• April 12: Paper, "Plundering Genres in the Digital Environment", on the music of John Oswald at Experience Music Project's April 11-14 conference in Seattle: Crafting Sounds, Creating Meaning: Making Popular Music in the U.S.
• April 15: The American Composers Orchestra plays Skumfiduser! for orchestra plus tape at their Whitaker Reading Sessions, Columbia University, New York City. Conducted by Dennis Russel Davies.
• April 25: Premiere of the complete seven-work cycle Sum=Parts for chamber orchestra by the University of Illinois at Urbana-Champaign New Music Ensemble. The cycle includes:
  • 56 1/2 ft. for chamber orchestra
  • Authenticity for trumpet solo
  • Integrity for 2 percussion & piano
  • Depth for trombone & contrabass
  • Merit for wind quintet
  • Seriousness for string trio
  • 56 1/2 ft. (reprise) for chamber orchestra

May 2002

• May 1: Composition Colloquium at San Francisco State University, noon-1pm.
• May 12: "An Afternoon of Music for Digits and Fingers": a performance with Chris Chafe, celleto, and electro-acoustic sound-sculptures at the San Jose Museum of Art.
• May 13: Sargasso ReMix is performed at Bilgi University, Istanbul, Turkey, 2:30pm.
• May 22: Lecture: What Matters to Me and Why. Stanford University Memorial Church, noon.

June 2002

• June 26: Performance of S-tog for sound-sculptures and live electronics at the Essl Museum, Vienna, Austria.
• June 27: Lecture/demonstration at The Bruckner Conservatory, Linz, Austria. 2-5pm.

July 2002

• July 25: Performance of Pre-Composition for 8-channel tape at the CCRMA Summer Concert, Stanford University. The concert starts at 8pm; pre-concert interactive demos and installations start at 6pm.

August 2002

• August 1: Sonic Circuits performance of S-tog for sound-sculpture and live electronics at the Kennedy Center, Millennium Stage, Washington, D.C., 6pm. Admission is free.
• August 2: Sound-sculpture and live electronics performance at George Mason University, Virginia, 8pm. Admission is free.
• August 17: Lecture on MetaSynth at the G.U.I. (Gesturing the UPIC instrument) symposium at University of California, Santa Cruz.
• August 17: Installation performance with sound-sculptures and live electronics at the Woodstockhausen 2002 Festival, Santa Cruz. Pre-concert installation from 7pm-8pm; concert at 8pm.

October 2002

• October 6: Lisa Goethe-McGinn performs Entre Funérailles IV for solo flute at HotHouse, 31 E. Balbo, Chicago. 2pm.
• October 10: Jazz piano performance at a Memorial Concert for Daniel Pearl, Stanford University alumnus. At the Stanford Memorial Church, 8pm; admission is free. Also appearing: the St. Lawrence String Quartet.
• October 11: Chamber Music Live at Stanford University: Improvisations by Mark Applebaum and Friends, including the California premiere of the Concerto for Florist & Ensemble. Featuring James DelPrince, performance florist; Paul Dresher, quadrachord; Fred Frith, electric guitar; Terry Longshore & Brett Reed, percussion; Chris Chafe, cello & celleto; Pat O'Keefe, clarinets; & Mark Applebaum, piano and sound-sculptures. Campbell Recital Hall, 8pm. $10 ($5 for students).
• October 16: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University CCRMA Ballroom, 8pm. Admission is free.
• October 17: Flutist Lisa Goethe-McGinn performs Entre Funérailles IV at Columbia College, 1014 S. Michigan Ave., Chicago. Noon.
• October 30: Slice & Dice I. New tape works by students of the Stanford University Music 120 class. CCRMA Ballroom, 8pm. Admission is free.

November 2002

• November 7: Sargasso ReMix for tape is presented at the Brooklyn College Conservatory of Music Electroacoustic Music Festival, 7pm.
• November 10: Works for piano, tape, and sound-sculptures with live electronics in a solo recital at Dartmouth College, Hanover, New Hampshire, 6pm. Also: morning lecture on November 11 at Dartmouth.
• November 13: "Janus"—for 5 winds and 5 strings— is performed by the Callithumpian Consort at the New England Conservatory of Music, Boston. Also: afternoon lecture at NEC.
• November 25: Slice & Dice II. New works by students of the Stanford University Music 120 class for multi-channel tape and live performers. CCRMA Ballroom, 8pm. Admission is free.
• November 29: Triple ReMix for tape is presented at Hong Kong Baptist University's Contemporary Music Workshop Concert, Kowloon, Hong Kong, 1:30pm.

December 2002

• December 5: Works will be performed by Zeitgeist on their "Rituals & Remembrance" program at InterMedia Arts in Minneapolis, including "Go, Dog. Go!" for two percussion; "column facing on 3 behind lintel"— a docudrama about architect Louis Sullivan—for bass clarinet, piano, and two percussion; and "Pre-Composition" for 8-channel tape.

January 2003

• January 29: Pianist Gloria Cheng performs "Discipline 1: Heliopolis" from "Disciplines" in a recital of virtuoso contemporary piano works. Stanford University, Campbell Recital Hall, 8pm. Admission is free.

February 2003

• February 3: A concert for The Work of Art and the Creation of Mind featuring sound-sculpture performances, jazz piano, and "Tlön" for 3 conductors and no players. Campbell Recital Hall, Stanford University, 1:15pm. Free.
• February 6: A solo jazz piano recital in Kimball Hall at Stanford University. 7-8pm, free.
• February 14: Lecture-demonstration with Electroacoustic Sound-Sculptures & Live Electronics. CCRMA Ballroom, Stanford University. 10am.
• February 22: Tlön for 3 conductors and no players is performed at the NOW Music Festival/The College Music Society. Diablo Valley College, Pleasant Hill, CA. 7pm.
• February 28: A lecture/dialogue with Parag Chordia about intersections and differences among Western and Indian classical musics for the Sanskriti South Asian Organization; open to the public. A3C Ballroom in the Old Union, Stanford University, 4:30-5:30pm.

March 2003

• March 5: The Calliope duo performs at San Francisco State University including a performance by pianist Shannon Wettstein of "Discipline 3: Ontological Shock" from "Disciplines". 8pm.
• March 13: Debut of [sic]—the Stanfjord [sic] Improvisation Collective—with special guests the St. Lawrence String Quartet. Campbell Recital Hall, Stanford University, 8pm. Admission is free.
• March 15: Pre-Composition for 8-channel tape is performed at SEAMUS (the Society for Electroacoustic Music in the United States) at Arizona State University, Tempe. 8:30pm.
• March 31: Harvard University Composition Colloquium lecture/demonstration, noon.

April 2003

• April 1: Presentation to the Columbia University Computer Music Center, 8pm.
• April 2: Composers Forum lecture at the Brooklyn College Conservatory of Music, 6pm.
• April 2: Choreographer Brittany Brown premieres her dance ensemble’s interpretation of Tlön ReMix and Sargasso ReMix. At Pilot 40, a collection of San Francisco’s local emerging choreographers, ODC Theater, 3135 17th St. @ Shotwell, San Francisco, 8pm. $12.
• April 3: Princeton University Composers’ Colloquium, 4:30pm.
• April 5: Pre-Composition for 8-channel tape is performed at the Florida Electroacoustic Music Festival, University of Florida, Gainesville, Center for the Performing Arts Black Box Theater, 8pm.
• April 11: Steve Schick & Ivan Manzanilla perform "Ferneyhough ReMix" for 2 percussion & tape and "Narcissus: Strata/Panacea" for solo marimba at the opening concert of the Stanford University Music from the Edge Festival. Campbell Recital Hall, 8pm.
• April 12: A performance of S-tog for Mouseketier and live electronics with Chris Chafe, celleto, at the Mousetraps and Toys concert of the Stanford University Music from the Edge Festival. CCRMA Ballroom, 4pm.
• April 13: Plundergraphic (for amplified piano, 8-channel tape, and live electronics) is performed by Piano Plus with Jennifer Hymer during the Stanford University Music from the Edge Festival. CCRMA Ballroom, 8pm.
• April 25 & 26: Choreographer Brittany Brown presents her dance ensemble’s interpretation of Tlön ReMix and Sargasso ReMix at the Stanford "Spring Migration" dance show. Roble Dance Studio, Stanford University, 8:30pm.
• April 28: A concert of trio improvisations with Matt Turner and Ryan Francesconi at the Lawrence University Electronic Music Festival, Appleton, Wisconsin. 9:30pm. www.lawrence.edu/sorg/emc/
• April 29: Solo recital at Lawrence University Electronic Music Festival, Harper Recital Hall, 9:30pm. Also, a morning lecture, 9:30am. www.lawrence.edu/sorg/emc/

May 2003

• May 1, 2, & 3: Choreographer Brittany Brown presents her dance ensemble’s interpretation of Tlön ReMix and Sargasso ReMix at the Stanford "Spring Migration" dance show. May 1 in an outdoor performance at the Cantor Art Museum, 6pm. May 2 & 3 at the Roble Dance Studio, Stanford University, 8:30pm.
• May 2: Pianist Shannon Wettstein performs "Discipline 3: Ontological Shock" from "Disciplines" at Bemidji State University, Minnesota.
• May 8: A solo jazz piano recital in Kimball Hall at Stanford University. 7-8pm, free.
• May 9: An improv performance of John Zorn's "Cobra" with [sic] at Stanford University, Campbell Recital Hall, 12:15pm; free. Also a performance with guitarst Ryan Francesconi and flutist Jane Rigler.
• May 11: Sound-sculpture and live electronics performance at the Northwestern University Music Marathon in the Block Museum Auditorium, 4pm. Also, an evening performance of COBRA with John Zorn in the Pick-Staiger concert hall, 7pm. Plus two subsequent lectures at Northwestern: 9am on May 12; 2:30pm on May 13.
• May 14: A lecture—Musical Schizophrenia: Art vs. Pop—at the Commonwealth Club, San Francisco, noon. Details at www.commonwealthclub.org.
• May 31: SKUMFIDUSER! for orchestra and tape is premiered by the Stanford Symphony Orchestra, Ann Krinitsky, conductor. Dinkelspiel Hall, Stanford University. 8pm.

June 2003

• June 1: SKUMFIDUSER! for orchestra and tape is performed by the Stanford Symphony Orchestra, Ann Krinitsky, conductor. Dinkelspiel Hall, Stanford University. 2:30pm.
• June 7: "Pre-Composition" for 8-channel tape is performed at the Bourges Festival in France.
• June 8: "Pre-Composition" for 8-channel tape is performed at the University of Washington in Seattle, 3pm.
• June 25: Pianist Shannon Wettstein performs "Disciplines" for piano at the New England Conservatory of Music, Boston, during the Summer Institute for Contemporary Piano.
• June 30: Lecture—"Chamber Music from the Composer's Perspective"—at the Stanford Summer Chamber Music Institute. Stanford University, 4:30pm.

August 2003

• August 23: "Chamelon ReMix" for 2-channel tape is performed at the Electric Rainbow Coalition Festival at Dartmouth College, Hanover, NH. Warren Bentley Theater.
• August 24: A percussion arrangement of "Meditation" is performed by the Conundrum Quartet at The Omaha Chamber Music Society. Fontenelle Forest Nature Center in Bellevue, Nebraska, 7pm.

September 2003

• September 7: Wired Gardens: An outdoor installation of electro-acoustic sound-sculptures with Chris Chafe and friends at the Cantor Art Center Museum on the Stanford campus. Also, a performance of "Plundergraphic" for acoustic instruments and 8-channel tape. Concert at 2pm; installations at 3pm.
• September 12: Oni Buchanan performs the "Omnibus Etude" for solo piano at the New School of Music, Cambridge, Massachusetts, 7:30pm.
• September 19: "Pre-Composition" for 8-channel tape is performed at the University of Virginia TechnoSonics Concert.
• September 19: Oni Buchanan performs the "Omnibus Etude" for solo piano. The Grolier Poetry Bookshop Benefit Recital, Harvard Square, Boston, 8pm.
• September 24: "Pre-Composition" for 8-channel tape is performed at the Ball State University Electronic Music Concert, Muncie, Indiana.

October 2003

• October 1: "Pre-Composition" for 8-channel tape is performed at the ICMC (International Computer Music Conference) in Singapore.
• October 4: "Catfish" for percussion ensemble is performed by the Minnesota Percussion Trio at Kennedy High School, Bloomington, Minnesota, 7 p.m.
• October 9: "Elegy" for solo piano is performed at the Daniel Pearl Music Concert. Stanford Memorial Church, 8pm; admission is free.
• October 10: The Applebaum Jazz Piano Duo perform a matinee concert at San Francisco State University. Knuth Hall, 1-2pm.
• October 10: The Applebaum Jazz Piano Duo in concert at Stanford University during the Stanford Chamber Music Live Festival. Dinkelspiel Auditorium, 8pm; $10/$5 students. A pre-concert lecture-demonstration, "Inside Jazz", from 6:30-7:30 is offered through Stanford Continuing Studies: http://continuingstudies.stanford.edu/
• October 15: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University CCRMA Ballroom, 8pm. Admission is free.
• October 18: A lecture—Musical Schizophrenia: Art vs. Pop—at the Stanford University Reunion. 10-11am. Location TBA.
• October 29: "Plundergraphic" and "Snagglepuss ReMix" are performed at the CCRMA fall concert at Stanford University. Campbell Recital Hall, 8pm; free.

November 2003

• November 11: "Culture Sculpture" a lecture/demonstration with the Mouseketier sound-sculpture and live electronics at Stanford University. In the Schiff House Lounge in the Sterling Quad. 6-7pm; free.

December 2003

• December 1: Collaborative Music: The premiere of Decameron, a 10-movement work composed collaboratively by Stanford Graduate Composers. Performed by Matt Ingalls, clarinet, Elaine Kreston, cello, & Terry Longshore, percussion. Also, performances of Entre Funérailles II for vibraphone and Tlön for 3 conductors and no players. Campbell Recital Hall, 8pm; free.
• December 17: Solo jazz piano concert in Ouagadougou, Burkina Faso, The National Theater, sponsored by the American Embassy. 8pm.

February 2004

• February 13: Griffin Campbell performs "Neo-Tribes" for solo alto saxophone at the 59th Festival of Contemporary Music, Louisiana State University, 8pm.
• February 20: Griffin Campbell performs "Neo-Tribes" for solo alto saxophone. Stanford University, Campbell Recital Hall, 8pm; free.
• February 26: [sic]—the Stanfjord [sic] Improvisation Collective Goes to High School (PG-13). Menlo-Atherton High School, 7:50am!
• February 27: Lecture at the Eastman School of Music composition symposium (including a performance of the "Omnibus Etude" by pianist Thomas Rosenkranz), 3:30-5:00, Rochester, NY.

March 2004

• March 1: The St. Lawrence String Quartet premiere "20" at the University of Toronto Chamber Music Series, 7pm. Also: a noon lecture at the University of Toronto.
• March 1: The NYU New Music Ensemble performs with the electronic score "Anesthesia ReMix". New York University Frederick Loewe Theatre, 8pm; free.
• March 2-3: Performances and lectures as Visiting Artist at the University of Michigan ECLECTRONICA Microfestival. March 2 8pm concert includes "Snagglepuss ReMix" and "Pre-Composition" for 8-channel tape; March 3 8pm concert includes "Anesthesia ReMix", "Plundergraphic" for 8-channel tape and live instruments, "Mouseketier Praxis" for sound-sculpture and live electronics, and a pre-concert lecture at 7:30. A 4pm lecture occurs on March 3 in the Electronic Music Class.
• March 7: [sic]—the Stanfjord [sic] Improvisation Collective—and Wet Ink undergraduate composers concert. Campbell Recital Hall, Stanford University. Admission is free.
• March 9: A solo jazz piano recital in Donner Hall at Stanford University. 10-11pm, free.
• March 27: Performances of "Mousektier Praxis"— for sound-sculpture and live electronics—and "Snagglepuss ReMix"— for 2-channel tape— at SEAMUS (the Society for Electroacoustic Music in the United States) at SDSU—San Diego State University. 8:30pm.
• March 29: Culture Sculpture, a lecture-demonstration with sound-sculptures and live electronics to the UCSD department seminar (11am). The University of California at San Diego, La Jolla.

April 2004

• April 3, 23, 24, 30 & May 1-2: Minneapolis-based James Sewell Ballet performs "Awedville" including the music "Strike: 3/2+5:2 Groove" from the CD "Mousetrap Music". Performances include Michigan State University, the College of St. Catherine, and other venues. <www.jsballet.org>
• April 10: Performance of "Entre Funérailles IV" for solo flute by Linda Wetherill at the New Music Miami ISCM Festival. Wolfsonian—Florida International University, Miami, 4pm.
• April 14: The St. Lawrence String Quartet perform the U.S. premiere of "20" at Stanford University. 8pm.

May 2004

• May 6-8: Serving as a juror for the national Jazz Piano Competition of the American Pianists Association in Indianapolis.
• May 22: The Stanford Symphony Orchestra premieres Martian Anthropology, a work for new SSO conductor Jindong Cai. Stanford University, Dinkelspiel Auditorium, 8pm.

June 2004

• June 13: "Mouseketier Praxis" for 2-channel tape is played at Columbus State University Electronic Music Lab's Electronic Music Festival '04. CCAD Madd Lab, 8:30pm.
• June 18: The Applebaum Jazz Piano Duo in concert at Carleton College, Northfield, Minnesota. Concert Hall, 8pm.
• June 21: Sound-sculpture performance at the summer solstice Garden of Memory: A Columbarium Walk-Through Event at the Chapel of Chimes, 4499 Piedmont Ave. (next to Mountain View Cemetery) in Oakland. 5-9pm. See www.gardenofmemory.com.

July 2004

• July 23: The NYU New Music Ensemble performs with the electronic score "Anesthesia ReMix" at the Università di Genova, Italy. Teatro Ariston, 9pm.

August 2004

• August 31: A live interview and concert with the Mousketier electroacoustic sound-sculpture on KFJC Radio, 89.7 FM in the Bay Area with DJ Art Crimes. Also streaming at http://www.kfjc.org. 6-7pm.

September 2004

• September 10: Shannon Wettstein performs Movement 2 ("Cosmo Drama") & Movement 3 ("Ontological Shock") from "Disciplines" for solo piano at California State University, Northridge.
• September 22-25: "Pre-Composition" for 8-channel tape is performed during the Harvest Moon Festival at the Oscar Peterson Concert Hall, Concordia University, Montreal, Canada.

October 2004

• October 14: Solo performances of piano works by Tom Johnson—"Mersenne Numbers" and "Triangles"—at the Daniel Pearl Music Concert. Stanford Memorial Church, 8pm; admission is free.
• October 16: Keyboard Madness! with The Idiom Idiots—Mark Applebaum & Mahan Esfahani perform baroque and jazz repertoire on inappropriate keyboard instruments from the 17th, 18th, 19th, 20th, & 21st centuries. Stanford University, Campbell Recital Hall, 8pm. Free.
• October 20: Improvisations in an informal lunchtime concert with [sic]. Stanford University, Campbell Recital Hall, 12:15pm. Free.
• October 24: Margaret Lancaster performs Entre Funérailles IV for solo flute at re.Wind/Pause/Play. DUBuQue Music Series at Safe-T-Gallery, 134 Bayard Street, Brooklyn (Williamsburg) 4pm; $8.
• October 26: Presentation to the UCSD Composition Focus Seminar. University of California, San Diego, Warren Studio A, 6-8pm.
• October 28: "Pre-Composition" for 8-channel tape is performed at West Chester University, West Chester, PA.
• October 31: A cameo piano performance at the Stanford Symphony Orchestra's Halloween Concert. Stanford University, Dinkelspiel Auditorium, 8pm.

November 2004

• November 3: "Intellectual Property" for disklavier and improvising pianist is performed at ICMC (International Computer Music Conference) at the University of Miami. Gusman Concert Hall, 8pm.
• November 8: "Pre-Composition" for 8-channel tape is performed at the High Voltage concert, Louisiana State University.
• November 14: Peter Burwik conducts Ensemble XX. Jahrhundert in the premiere of "Aslyum" for percussion solo and nonet during the Vienna Modern Festival 2004. At the SCHÖMER-HAUS, Klosterneuburg, Austria.
• November 22: <541> Concert: New works by Stanford composers including the new percussion trio "Theme In Search of Variations". Stanford University, Campbell Recital Hall, 8pm. Free.
• November 27: Culture Sculpture: Making Music with Junk, Found Objects, and Hardware—a lecture-performance with the Mouseketier Sound-Sculpture at the annual gathering of the San Francisco Regional Mensa. San Francisco Holiday Inn, 2pm.

December 2004

• December 1: The New Century Ensemble presents "Pre-Composition" for 8-channel tape at the University of Oklahoma in Norman.
• December 2: Lecture at MATRIX, Leuven University Musicology Department, Leuven, Belgium, 2-3:30pm.
• December 5: Performances with ensemble Champ D'Action at the Time Canvas Festival. MuHKA Contemporary Art Museum, Leuvenstraat 32, Antwerp, Belgium. 11am-6pm.
• December 20: The Applebaum Jazz Piano Duo performs at the Municipal Theater in Tunis, Tunisia. 7pm.

January 2005

• January 19: "Meditation" for piano 6-hands is performed at the University of North Carolina—Charlotte.
• January 21: Margaret Lancaster performs Entre Funérailles IV for solo flute. Also the premiere of Wristwatch: Geology. Stanford University, Campbell Recital Hall, 8pm.
• January 29: "Pre-Composition" for 8-channel tape is performed at the Ussachevsky Festival, Lyman Hall, Pomona College, Claremont, California, 8pm. Free.

February 2005

• February 2: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University, Campbell Recital Hall, 8pm. Admission is free.
• February 3: "Pre-Composition" for 8-channel tape is performed at Musica Nova, UMKC (University of Missouri, Kansas City Conservatory of Music). White Hall, 7:30pm.
• February 18: "Pre-Composition" for 8-channel tape is performed at the SPARK Festival, University of Minnesota, Minneapolis. Flux Auditorium, Regis Center for the Arts, 4:30pm.
• February 19: The seven-work cycle Sum=Parts for chamber orchestra is performed by Inauthentica--the Cal Arts Contemporary Players--featuring Mark Menzies. Stanford University, Dinkelspiel Auditorium, 8pm. The cycle includes:
  • 56 1/2 ft. for chamber orchestra
  • Authenticity for trumpet solo
  • Integrity for 2 percussion & piano
  • Depth for trombone & contrabass
  • Merit for wind quintet
  • Seriousness for string trio
  • 56 1/2 ft. (reprise) for chamber orchestra
• February 19: "Pre-Composition" for 8-channel tape is performed at the EMS Festival, Stockholm, Sweden.
• February 27: Music and Dance Created by Chance (chance compositions by undergraduate composers in collaboration with choreographers Brittany Brown, Heidi Schweiker, & Hope Mohr), and performances by [sic] —the Stanfjord [sic] Improvisation Collective. 8pm, Roble Dance Studio, Stanford University. Also the premiere of 5:3. Admission is free.

March 2005

• March 8: "5:3" for 8 cracklebox players and 2 amplified dice rollers is performed at CCRMA's MusiCollage at the Cantor Arts Center Museum, Stanford University. The event, in the style of the Black Mountain College happening, runs from 8pm-midnight and concludes with a midnight breakfast. Free.
• March 9-12: "Pre-Composition" for 8-channel tape is performed at the Ithaka Festival in Leuven, Belgium in the Swimmingpool, Hogeschoolplein.
• March 12: "The Bible without God", a new composition performed with The Merce Cunningham Dance Company in a collaborative site-specific event ("White Plaza Event #1"). 2pm-3pm, White Plaza (in front of the Bookstore), Stanford University. Free. Rain Location: Dinkelspiel Auditorium.
• March 24: "Sargasso (83+)" for solo cello is performed by William Jason Raynovich of the the MAVerick Ensemble. At the Renaissance Society in Chicago. 5811 S. Ellis, 8pm.

April 2005

• April 2: Margaret Lancaster performs "Entre Funérailles IV" for solo flute at the BONK Festival. Salvador Dali Museum, St. Peterburg, Florida.
• April 7: The Mind Altering Concert: A 60-minute space improvisation for Mouseketier sound-sculpture and freaky live electronics. Stanford University, Toyon Hall Lounge, 10pm, free. Bring pillows.
• April 9: A lecture-demonstration on sound-sculptures at the STARS Assembly, Stanford University, 11:30am.
• April 10: [sic] performs Cobra at the Stanford Community Day, Cantor Art Center Museum, Stanford University, 3pm.
• April 10: "Sargasso (83+)" for solo cello is performed by William Jason Raynovich of the the MAVerick Ensemble. At the Ukrainian Museum of Modern Art in Chicago.
• April 14: "Pre-Composition" for 8-channel tape is performed at "Electronic Theatre and Diffusion" at the University of Wisconsin—Milwaukee. Peck School of the Arts, Bader Concert Hall, Zelazo Center, 7:30pm.
• April 15: Grace Leslie performs Entre Funérailles IV for solo flute. Stanford University, Campbell Recital Hall, 12:15pm. Free.
• April 16: "Intellectual Property" for disklavier and improvising pianist is performed at SEAMUS (the Society for Electroacoustic Music in the United States) at Ball State University, Muncie, Indiana. 8pm.
• April 17: The premiere of a new guitar piece "DNA" by Swedish virtuoso Magnus Andersson. Norrköping, Sweden.
• April 29: Grace Leslie performs Entre Funérailles IV for solo flute. Stanford University, Campbell Recital Hall, 8pm. Free.

May 2005

• May 5: The guitar piece "DNA" is performed by Swedish virtuoso Magnus Andersson. Stanford University, Campbell Recital Hall, 8pm.
• May 10: The German premiere of Integrity for two percussion and piano by Hajdi Elzeser, Yoana Varbanova, & Margarita Kourtparasidou. Neue Aula der Hochschule für Musik, Detmold, Germany, 7:30pm. 5¤.
• May 12: Lecture at the Award-Winning Teachers on Teaching series. Hartley Conference Center in the Earth Sciences Building, Stanford University. Noon-1pm.
• May 15: Grace Leslie performs Entre Funérailles IV for solo flute. University of California at Berkeley, CNMAT, 8pm. Free.
• May 18: Performance as Guest Artist with The Stanford Jazz Orchestra directed by Fred Berry. Solo, combo, and big band performances of original tunes including big band arrangements of "Tornado Food" & "Buffalo Wings", and the premiere of Agitprop, a new work for electroacoustic sound-sculpture and live electronics with jazz band. Stanford University, Dinkelspiel Auditorium, 8pm.
• May 24: Lara Wickes, oboe, performs Merit for wind quintet with Cal Arts players. USC Catholic Center: 3207 University Avenue, Los Angeles.
• May 27: Mouseketier electroacoustic sound-sculpture performance at the 8th annual Music for People and Thingamajigs festival. The Oakland Metro, 201 Broadway (near Jack London Square), Oakland. 8pm.

June 2005

• June 4 & 5: Collaborative Opera Premiere: "Es lebe der Sport" (scenes composed by Mark Applebaum, Markus Muench, Helga Pogatschar, & Jasna Velickovic, with the LOGOS Foundation robot orchestra of Godfried-Willem de Raes and Moniek Darge)—a co-production of the Bayerische Theaterakademie, the Hochschule für Musik, and the Munich festival ADEvantgarde 2005 with Moritz Eggert and performed by Piano Possible. In the "Reaktorhalle"; Luisenstrasse 37, Munich, Germany. 8pm.
• June 12: The Harmida Trio premieres Jetsam for violin, cello, and piano at the Noe Valley Chamber Music Series. 1021 Sanchez St., San Francisco; 7pm. See www.nvcm.org
• June 13-1 9: "DNA" is performed by guitar virtuoso Magnus Andersson at CoMA (Contemporary Music & Artists) in collaboration with Media Artes new music chamber society. Precise date TBA; www.comasweden.se. Växjö University, Sweden.

July 2005

• July 1: "Integrity" for piano and two percussion is performed at the Eastman School of Music Kilbourn Hall, Rochester, NY.
• July 9: "DNA" is performed by guitar virtuoso Magnus Andersson at Kulturverket in Halmstad, Sweden.
• July 21: CCRMA summer concert — Digital Music Under the Stars — Stanford University, Frost Amphitheater. Performances of "Elegy ReMix" and "Sargasso ReMix". 5pm-12am.
• July 27: The Trio Project, 12:23pm, Lucile Packard Children's Hospital, Palo Alto.

September 2005

• September 1-4: Various performances as a Guest Artist at UNYAZI Electronic Music Festival South Africa 2005, Johannesburg, South Africa. Details TBA.
• September 23: Presentation on Creativity and Invention— Beginnings —including performances with the Mouseketier electroacoustic sound-sculpture and live electronics, at the Stanford University Freshman Orientation, Memorial Auditorium, 10:30am-noon.

October 2005

• October 2: Premiere of "The Blue Cloak" for Champ D'Action at the TRANSIT Festival, STUK in Leuven, Belgium, 8:30pm; pre-concert talk at 7:45pm. Panel discussion on technology in new music at 4pm.
• October 12: Lecture and presentation on original electronic music at CNMAT at the University of California, Berkeley. 10am-1pm.
• October 13: "Integrity" for two percussion and piano is performed by Proper Glue at the University of Maryland, Baltimore County, 8pm, Fine Arts Recital Hall; free.
• October 15: Serving on the UCSD graduate composition juries.
• October 18: Performance and talk at a Stanford University "Dean's Dinner", Schiff Lounge, 6pm.
• October 25: Jazz piano recital and talk. Stanford University Junipero Residence Hall, 7pm.
• October 27: "DNA" is performed by guitar virtuoso Magnus Andersson at El Colegio Nacional in Mexico City, 7:30pm.

November 2005

• November 4: Outreach performance at Sheldon High School, Sacramento at 11am. Also: 3pm lecture-demonstration to the California State University Sacramento composition community in association with the Festival of New American Music, CSUS Music Dept. M151.
• November 5: Four electroacoustic performances at 3pm at the California State University Sacramento Festival of New American Music; pre-concert talk at 2pm. CSUS Music Dept. M151.
• November 16: Composition colloquium at the University of California at Davis. Music department room 230, 3-5pm.
• November 17: "Pre-Composition" for 8-channel tape is performed at the University of Iowa in honor of SEAMUS Electro-Acoustic Music Month. Clapp Recital Hall, Iowa City.
• November 22: Performances as featured composer with the Southern Oregon University Percussion Ensemble including Mouseketier Praxis, 5:3, 48 Objects, Mobile for Paper, & Wristwatch: Geology. SOU, Ashland, Oregon. Prior lecture-demonstration on the sound-sculptures to the Art & Music class on November 21 at 8am.

January 2006

• January 17: Carol Morgan performs the entire "Disciplines" for piano at Alte Schmiede Kunstverein, Vienna, Austria. Concert program titled "Das Andere Amerika"; 7pm.
• January 19: A short concert of electroacoustic works including "Intellectual Property", "Mouseketier Praxis", "Plundergraphic", "Pre-Composition", & the premiere of "Echolalia" at the newly renovated CCRMA—Stanford University, 8pm, free.
• January 25: Lecture to the Composition Colloquium at Columbia University, New York City, 4:10-6pm, Dodge room 620. Including a performance of "Entre Funérailles IV" by flutist Margaret Lancaster.

February 2006

• February 1: Duo Runedako—Ruth Neville & Daniel Koppelman—premiere "On the Nature of the Modern Age" for piano duo and electronics at Furman College, Greenville, South Carolina.
• February 3: Presentation to the composition community, DePaul University School of Musi, Chicago, noon-1:30. Room 214.
• February 3: The Applebaum Jazz Piano Duo performs a concert at the Music Institute of Chicago, Evanston, Illinois. 8pm. $15.
• February 6: "Pre-Composition" for 8-channel tape is performed at the Austin Museum of Art in Austin, Texas on the Audio Inversions New Music Series. 9th and Congress, Austin.
• February 9: Presentation/Conversation with Stanford students at Soto Residence Hall. 6pm.
• February 13-17: Residency as Guest Composer of the LSU 61st Festival of Contemporary Music, Louisiana State University, Baton Rouge.
  • February 13: Composers Forum lecture presentation at 4pm. Feature Concert at 8pm: The Music of Mark Applebaum with performances by the LSU Contemporary Music Ensemble of "Wristwatch: Geology" for players tapping stones, "Mobile for Paper" for players tearing and crumpling paper, "Hymn" for saxophone quartet, "Catfish" for percussion trio, "Intellectual Property" for disklavier and improvising pianist, "Neo-Tribes" for alto saxophone, "Meditation" for piano 6-hands, "Mouseketier Praxis" for electroacoustic sound-sculpture, and "Tlön" for 3 conductors and no players.
  • February 14: Computer Music Seminar at 9am. An informal Jazz Piano Recital and Master Class at 5:30pm. Valentine's Day Concert including a jazz duo performance with Brian McWhorter, trumpet, 7pm.
  • February 15: Composition Master Class, time tba. Electroacoustic Music Concert including performances of "Plundergraphic" for 8-channel tape and acoustic instrumentalists, "Snagglepuss ReMix" and selections from "The Janus ReMixes" for 2-channel tape, and "Pre-Composition" for 8-channel tape; 8pm.
  • February 16: LSU Music Department Forum lecture presentation; 1:30pm.
  • February 17: Brian McWhorter Recital. Performance of Entre Funérailles I for trumpet; 8pm.
• February 20: Late-evening feature concert of original electroacoustic music at the festival Stockholm New Music, Sweden. During the concert day called "Speaking with Angels." Performances of "Wristwatch: Geology" for players tapping and rubbing stones, "Sargasso ReMix" for 2-channel tape, "Mouseketier Praxis" for mouseketier electroacoustic sound-sculpture and live electronics, "Snagglepuss ReMix" for 2-channel tape, "Plundergraphic" for 8-channel tape and instrumentalists, and "Pre-Composition" for 8-channel tape. At the Alcazar club in Nalen, Stockholm, 10pm.
• February 22: The Applebaum Jazz Piano Duo performs a concert at the University of North Carolina at Charlotte, Rowe Arts Auditorium, Charlotte, NC, 8pm.
• February 24: Solo evening concert of original works at Duke University on the Encounters: With the Music of Our Time series. Performances of "Wristwatch: Geology" for players tapping and rubbing stones, "Meditation" for piano 6-hands, "Sargasso ReMix" for 2-channel tape, "Mouseketier Praxis" for mouseketier electroacoustic sound-sculpture and live electronics, "Snagglepuss ReMix" for 2-channel tape, "Plundergraphic" for 8-channel tape and instrumentalists, "Pre-Composition" for 8-channel tape, and selected works for jazz piano; Nelson Music Room in the East Duke Building at 8pm. Additional lecture to the composition seminar at 4pm.
• February 27: Duo Runedako—Ruth Neville & Daniel Koppelman—perform "On the Nature of the Modern Age" for piano duo and electronics on the Music at the Forefront series at the MidAmerican Center for Contemporary Music, Bowling Green State University, Ohio. Bryan Recital Hall, 8pm.

March 2006

• March 3: Lecture at the University of Minnesota, Minneapolis, 2:30-4:30pm.
• March 14: "Pre-Composition" for 8-channel tape is presented at AES — the San Francisco section meeting of the Audio Engineering Society, CCRMA, Stanford University.
• March 15: Mouseketier electroacoustic sound-sculpture and live electronics performance at the Community School of Music and Arts, Mountain View, California. Tateuchi Hall, 7pm.
• March 18: The Louisiana State University Percussion Ensemble performs "Catfish" at the Percussive Arts Society Day of Percussion. McNeese University, Louisiana.
• March 23: Saxophonist Griffin Campbell performs "Neo-Tribes" at the University of New Mexico, 8pm.
• March 25: Paper presentation and performance with sound-sculptures at the NYU symposium Current Free Practices in Music and Poetry. New York City. Details TBA.
• March 31: "Echolalia" —22 dadaist rituals with live electronics— is performed at SEAMUS at the University of Oregon, Eugene. Beall Hall, 2pm.
• March 31: "Martian Anthropology 7•8•9" is premiered by The Paul Dresher Ensemble. Theater Artaud, San Francisco, 8pm.

April 2006

• April 1: "Martian Anthropology 7•8•9" is performed by The Paul Dresher Ensemble. Theater Artaud, San Francisco, 8pm.
• April 6: Panel presentation for The Commonwealth Club of California Arts Forum: Success or Selling Out? Idealism in the Music Industry along with John Lucasey (producer of Green Day), Victor Krummenacher (bassist for Camper Van Beethoven), May Pole (emerging pop artist), & David Conte (professor of composition, SF Conservatory). 7:30pm, Mezzanine, 444 Jessie St., San Francisco.
• April 7-9: "5:3", "Wristwatch: Geology", and "Mobile for Paper" are performed at the Northwest Percussion Festival by the Southern Oregon University Percussion Ensemble at Central Washington University.
• April 14: Potter College Spring Colloquium presentation: "Collision, Failure, Schizophrenia and other Research Methods". Potter Lounge, Stanford University, noon.
• April 17: Portrait concert of works for digital media on the Digital Arts Concert series at the MidAmerican Center for Contemporary Music, Bowling Green State University, Ohio. Program includes: Echolalia, Elegy ReMix, Anesthesia ReMix, Tlön ReMix, Mouseketier Praxis, Meditation, Wristwatch: Geology, Mobile for Paper, Andy, Pre-Composition, and Dr. Applebaum, why don't you use your powers for good instead of evil? They laughed at me at the university, ellipses. Bryan Recital Hall, 8pm.
• April 25: Three lectures at Oberlin College: music technology seminars from 11:00-11:30 & 1:30-2:45, and composition forum 6:30-7:45.
• April 26: Portrait concert of chamber works at Oberlin College. The program includes Wristwatch: Geology, Intellectual Property, Snagglepuss ReMix, Entre Funérailles IV, Omnibus Etude, Mobile for Paper, Echolalia, Mouseketier Praxis, and Pre-Composition. Warner Concert Hall, 8pm.
• April 26: Meditation for piano 6-hands is performed at the University of North Carolina at Charlotte. Robinson Hall, 3pm.
• April 28: "Pre-Composition" for 8-channel tape is presented at the NewStage Festival, CCRMA, Stanford University. Courtyard tape music concert at 7:30pm. Panel discussion on April 29 at 1:30pm.

May 2006

• May 1: "Catfish" for percussion trio is performed by the California State University Sacramento Percussion Ensemble. Music Recital Hall, 8pm.
• May 19: Duo Runedako—Ruth Neville & Daniel Koppelman—perform "On the Nature of the Modern Age" for piano duo and electronics at Lisafest, Furman College, Greenville, South Carolina.

June 2006

• June 5: Mouseketier Praxis for sound-sculpture and live electronics is performed at IRCAM in Paris in the Espace de Projection concert hall during NIME 06 (New Interfaces for Musical Expression. Espro Concert, 6:30pm.
• June 24: Matthew Jenkins and Jon Hepfer perform "Ferneyhough ReMix" for two percussion and tape at the New England Conservatory of Music Summer Institute for Contemporary Performance Practice, 5:30pm.

July 2006

• July 5: Saxophonist Griffin Campbell performs the European premiere of "Neo-Tribes" in Ljubljana, Slovenia at the World Saxophone Congress. Stih Hall, 11:30am.

September 2006

• September 7: Lecture at Aalborg University, Copenhagen, Denmark, 1pm.
• September 20: Solo jazz piano recital at the Community School of Music and Arts, Mountain View, California. Tateuchi Hall, 7pm.
• September 22: Presentation on Creativity and Invention —including performances with the Mouseketier electroacoustic sound-sculpture and live electronics, at the Stanford University Freshman Orientation, Memorial Auditorium. 10:30am.
• September 22: Carol Morgan performs "Heliopolis" and "Cosmo Drama" from "Disciplines" for piano at Alte Schmiede Kunstverein, Vienna, Austria. Concert program titled "Das Andere Amerika"; 7pm.
• September 28: Mind Altering Concert: A 60-minute space improvisation for Mouseketier sound-sculpture and freaky live electronics. Stanford University, Kimball Hall, 8pm, free. Bring pillows.

October 2006

• October 9: Premiere of "Magnetic North" for the Meridian Arts Ensemble with Mark Applebaum, sound-sculpture and live electronics, at Symphony Space, New York City. 7pm.
• October 16: Performance of "Magnetic North" for soloist (percussion) and brass quintet by the Meridian Arts Ensemble at State University of New York at Buffalo. (Date TBD.)
• October 18: Performance and lecture on "Magnetic North" for soloist (percussion) and brass quintet by the Meridian Arts Ensemble at State University of New York at Fredonia. Arts and Humanities Forum: What the Hell is Happening to Art? Rosch Recital Hall.
• October 19: Concert performance of "Magnetic North" for soloist (percussion) and brass quintet by the Meridian Arts Ensemble at State University of New York at Fredonia.
• October 22: Live radio broadcast of "Magnetic North" for soloist (sound-sculpture) and brass quintet by the Meridian Arts Ensemble from the Concertgebouw, Amsterdam, Holland. "Spiegelzaal" radio program hosted by Hans van den Boom. 10am.
• October 24: Performance of "Magnetic North" for soloist (sound-sculpture) and brass quintet by the Meridian Arts Ensemble in Amsterdam, Holland at the Muziekgebouw. 8:30pm. Tickets 20/25 Euros.
• October 26: Presentation and piano performance at the Larkin Residence Hall, Stanford University. 6pm.
• October 29: Performance of "Magnetic North" for soloist (percussion) and brass quintet by the Meridian Arts Ensemble in Eindhoven, Holland. Muziekcentrum Frits Philips Chamber Music Hall, noon.
• October 29: "Sargasso (83+)" for solo cello is performed by William Jason Raynovich at Sonic Impact—New Music Chicago. At the Museum of Contemporary Art in Chicago.

November 2006

• November 3: Presentation at the University of Virginia Colloquium Series, including a performance of Echolalia. Charlottesville, Virginia, 3:30pm.
• November 4: Premiere of "Variations on Variations on a Theme by Mozart", a multi-channel piece (for an Everglade Records DVD initiative) at the Third Practice Festival, University of Richmond, Virginia.
• November 11: Performance of Plundergraphic for live instrumentalists and 8-channel tape at ICMC, Tulane University, New Orleans. 1:30pm.
• November 20: Composition lessons and a lecture (3pm) at the University of Oregon, Eugene as guest composition professor.
• November 20: Duo Runedako—Ruth Neville & Daniel Koppelman—perform "On the Nature of the Modern Age" for piano duo and electronics on the University of California at San Diego. Erickson Hall, 11am.
• November 30: Pianist Chryssie Nanou performs "Elegy" at a solo piano recital at CCRMA, Stanford University, 8pm.

December 2006

• December 5: Class concert of Experimental Musical Instruments, including performances of "48 Objects," John Zorn's "Cobra," and original student works. CCRMA Sound Stage, Stanford University, 8pm, free.
• December 10: Zach Crystal and Jon Hepfer perform "Ferneyhough ReMix" for two percussion and tape at the Oberlin Conservatory, Oberlin, Ohio. Warner Concert Hall.
• December 10-15: Concerts and presentations as Residency Program Visiting Artist at the Banff Centre for the Arts, Alberta, Canada. Principal lecture on December 10.
• December 15: Feature concert at the Banff Centre for the Arts, Alberta, Canada. Includes performances of Mouseketier Praxis, Wristwatch: Geology, Wristwatch: Meridian, Wristwatch: Alien Argot, Mobile for Paper, 48 Objects, Snagglepuss ReMix, Variations on Variations on a Theme by Mozart, Intellectual Property, 5:3, Pre-Composition, and Plundergraphic. 7:30pm.

January 2007

• January 23: Pre-concert lecture for the SO Percussion Quartet, Stanford University Kimball Residence Hall. 6pm.
• January 24: Moderator for the Stanford Lively Arts post-concert discussion with the SO Percussion Quartet. Dinkelspiel Auditorium, 8pm.
• January 31: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University, CCRMA Stage, 8pm. Admission is free.

February 2007

• February 2: A panel discussion on improvisation and creativity for the Stanford Lively Arts' American Mavericks project. Featuring a performance by [sic]—the Stanford Improvisation Collective—and conversation with Joseph Horowitz, Anthony de Mare, and Steve Mayer. Campbell Recital Hall, 2:15.
• February 3: "Intellectual Property" for disklavier and improvising pianist is performed at American Mavericks. Stanford University Lively Arts, Dinkelspiel Auditorium, 8pm.
• February 5: "Variations on Variations on a Theme by Mozart" for four channel tape is presented at the University of Louisville School of Music. Malcom Bird Recital Hall, 8pm.

March 2007

• March 4: "Pre-Composition" for 8-channel tape is presented at the Montana State University Multimedia Series—"A Meditation on Technology." Reynolds Recital Hall, 7:30pm.
• March 5: Brian McWhorter performs "Entre Funérailles I" for solo trumpet at the University of Oregon, Eugene Sound-Bytes New Music Series. 11:54am-12:08pm.
• March 6: [sic]—the Stanford Improvisation Collective—in concert at Mills College. A collaboration with Mills College improvisers. Including performances of "Wristwatch: Geology", "Wristwatch: Meridian", and "48 Objects". 8pm.
• March 7: [sic]—the Stanford Improvisation Collective—in concert with guest artist Fred Frith and Mills College improvisers. Including performances of "Wristwatch: Geology", "Wristwatch: Meridian", and "48 Objects". Campbell Recital Hall, Stanford University, 8pm. Admission is free.
• March 12: "Pre-Composition" for 8-channel tape is presented at the Western Oregon University annual electroacoustic music festival.
• March 28: "Pre-Composition" for 8-channel tape is presented at the University of Indianapolis. Ruth Lilly Performance Hall. 7:30pm.

April 2007

• April 2: Performance for soloist and brass quintet by the Meridian Arts Ensemble at Cleveland State University. Drinko Recital Hall, 8pm. Also: lecture to the composition seminar from 4-5pm.
• April 4: Performance for soloist and brass quintet by the Meridian Arts Ensemble at Kent State University.
• April 12-14: Performance by Duo Runedako—Ruth Neville & Daniel Koppelman—of "On the Nature of the Modern Age" for piano duo and electronics at the Florida Electroacoustic Music Festival. University of Florida, Gainesville. Precise date TBA.
• April 22: Portrait concert at the SONORITIES Festival, Queen's University, Belfast, Ireland. Includes performances of Pre-Composition, Variations on Variations on a Theme by Mozart, Mouseketier Praxis, Intellectual Property, 48 Objects, Wristwatch: Geology, Wristwatch: Meridian, Plundergraphic, & Meditation. 7:30pm at the Sonic Lab at SARC. Lecture to the composition community in the MultiMedia Room at 5pm.
• April 25: The Applebaum Jazz Piano Duo performs a Faculty Showcase concert at Stanford University, Dinkelspiel Auditorium. 8pm.
• April 26: A new orchestral work—Sock Monkey—is premiered by the Stanford Symphony Orchestra. Stanford University, Dinkelspiel Auditorium. 8pm.
• April 29: An improvisation for the Mouseketier electroacoustic sound-sculpture with Jonathan Goldstein, percussion, on his senior recital. Stanford University, Campbell Recital Hall. 2:30pm.

May 2007

• May 7: "Pre-Composition" for 8-channel tape is presented by Paul Rudy at the University of Hull, Scarborough, England.
• May 15: Strings Apart: A networked piano duo concert with Mark Applebaum performing on the CCRMA Stage, Stanford University, and Pedro Rebelo performing at SARC, Belfast, Ireland. 12:15pm (PST); 8:15pm (GMT).
• May 15: "Pre-Composition" for 8-channel tape is presented by Paul Rudy at the University of Malmö, Sweden.
• May 17: Lecture-demonstration at the Stanford University Dean's Dinner. Schiff Residence Hall Lounge, 6pm.
• May 18: "Entre Funérailles IV" for solo flute is performed by Lisa Goethe-McGinn at the Chicago Composers Forum: Music + Art series. Zhou B Center for the Arts, 7pm.
• May 29: Presentation at the Stanford University Department of Computer Science Future Faculty Seminar. 4:15pm.

June 2007

• June 7: Disparate Bodies, a networked performance taking place simultaneously at Stanford University's CCRMA (Mark Applebaum, mouseketier sound-sculpture), Belfast's SARC (with Franziska Schroeder, saxophones), and New York City (with Pedro Rebelo, computer, Tom Davis, remot.bot, and Alain Renaud, frequencyliator) as part of the NIME 07 Festival. 23:30GMT, 6:30pm EST, 3:30pm PST.
• June 12: Performance of "Sargasso (83+)" for cello by Séverine Ballon at the Musiques des Mesurées Festival in Clermont-Ferrand, France. 1:00pm.

July 2007

• July 6: Lecture to the Stanford University International Students. Community Speaker Series, 3:15pm.
• July 12: Let It Fester For A While, an improvisation ensemble directed by Brian McWhorter, performs "Mobile for Paper". Lillis Business Center Atrium, University of Oregon, Eugene, 5pm.

August 2007

• August 26: The sextet "The Composer's Middle Period" is premiered by the sfSound Ensemble. ODC Theater in the Mission (3153 17th Street), San Francisco. 8pm.
• August 27-31: "Improvisation and Experimentation: Creative Approaches to Making and Teaching Music," a workshop in Singapore at Republic Polytechnic School of Technology for the Arts.
• August 27: Concert of the Applebaum Jazz Piano Duo at Singapore Republic Polytechnic. 7:30pm.
• August 29: Mark Applebaum portrait concert, including performances on the Mouseketier sound-sculpture with live electronics, in Singapore. Performances of Mousektier Praxis, Pre-Composition, Snagglepuss ReMix, Narcissus ReMix, Meditation, Intellectual Property, and Variations on Variations on a Theme by Mozart. Singapore Republic Polytechnic. 7:30pm.
• August 30: Lecture at Lasalle College of the Arts, Singapore. 7pm.
• August 31: SEA-[sic] (The Southeast Asian Stanford Improvisation Collective) Concert in Singapore. Includes performnaces of Wristwatch: Geology, Wristwatch: Meridian, Plundergraphic, 48 Objects, Mobile for Paper, S-tog, and 5:3. Singapore Republic Polytechnic.

September 2007

• September 11: An interview with Chris Danforth on Minnesota Public Radio's "Performance Today." 99.5 fm in Minneapolis; see also mpr.org. Noon.
• September 14: The Meridian Arts Ensemble perform the excerpt "Mantra I" from "Magnetic North." Manhattan School of Music, Borden Auditorium, New York. 7:30pm.
• September 16: The Meridian Arts Ensemble, with guest trumpet soloist Peter Evans, performs "Magnetic North" at the Festival of New Trumpet Music. Manhattan School of Music, New York, Borden Auditorium.
• September 18: Advice for New Faculty Members panel. Stanford University, 3:30-5:00.
• September 30: The seven-work cycle Sum=Parts for chamber orchestra is performed by Inauthentica featuring Mark Menzies. Chapman Conservatory of Music, Salmon Recital Hall, Orange, CA. 5pm.
  • 56 1/2 ft. for chamber orchestra
  • Authenticity for trumpet solo
  • Integrity for 2 percussion & piano
  • Depth for trombone & contrabass
  • Merit for wind quintet
  • Seriousness for string trio
  • 56 1/2 ft. (reprise) for chamber orchestra

October 2007

• October 4: Mark Applebaum and Tom Nunn perform a concert of sound-sculpture solos and duos at Stanford University's Chamber Music Live festival. CCRMA Stage, 8pm. Free.
• October 12: The Jazz Improviser's Mind: A lecture and mini-concert for the Stanford Reunion Homecoming series Classes without Quizzes. 3:15-4:15. Campbell Recital Hall.
• October 15: "Pre-Composition" for 8-channel tape is presented at the Ai-Maako, Festival Internacional de Musica Electroacustica de Santiago, Santiago, Chile. 8pm.
• October 17: Carol Morgan performs "Disciplines" for piano at the Essl Museum, Klosterneuburg, Austria.
• October 24: The St. Lawrence String Quartet performs an excerpt from "20" at the Daniel Pearl Memorial Concert, Stanford University Memorial Church, 8pm. Free.

November 2007

• November 2: A lecture to the University of California, Berkeley composition colloquium. Morrison Hall 117; 3:30pm.
• November 5: The Baylor Percussion Group performs "Catfish" at Baylor University.
• November 7: A lecture on contemporary music featured in the 2007-2008 Stanford University Lively Arts concert series. Cantor Arts Center, 7pm, free.
• November 12: Bay Area new music ensemble Earplay performs "Entre Funérailles IV" for flute in San Francisco at the Herbst Theater.
• November 13: Double Bar Line Fire Drill: A concert of new chamber pieces by Stanford Composers including Applebaum's "Theme In Search of Variations II". Stanford University, 8pm. Free.
• November 14: Brett Dietz performs "Entre Funérailles II" for solo vibraphone at the University of North Texas.
• November 22: Berndt Thurner performs "Entre Funérailles II" for solo vibraphone at Alte Schmiede Kunstverein, Vienna, Austria.

January 2008

• January 4: Jon Hepfer performs "Entre Funérailles II" for solo vibraphone at the Duo Echoi concert at Zeitgeist's Studio Z in St. Paul, MN; 8pm.

February 2008

• February 20: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University, CCRMA Stage, 8pm. Admission is free.
• February 24: Performance of "Magnetic North" for soloist (sound-sculpture) and brass quintet by the Meridian Arts Ensemble at Stanford University—The Stanford Lively Arts. 2:30pm, Dinkelspiel Auditorium. Tickets through the Stanford Lively Arts.

March 2008

• March 1: Beta Collide (flute, trumpet, piano, percussion) premiere works composed by students of the Wet Ink composition collective in response to Mark Applebaum's "Theme In Search of Variations III." Campbell Recital Hall, 2:30pm. Admission is free.
• March 2: [sic]—the Stanford Improvisation Collective—in concert with guest artists Scott Rosenberg & Beta Collide. Campbell Recital Hall, 8pm. Admission is free.
• March 7: [sic]—the Stanford Improvisation Collective—performs for a highly sophisticated and critical audience of 3- and 4-year olds at the Bing Nursery School, Stanford University, 3pm.
• March 11: QUBE performs "S-tog" (Justin Yang's animated score version) at SARC at Queen's University, Belfast, Ireland. 5pm.
• March 15: The Baylor Percussion Group performs "Catfish" at the International Festival-Institute at Round Top, Round Top, Texas.
• March 28: Hajdi Elzeser peforms "Elegy" for solo piano at the Days of Macedonian Music, Skopje, Macedonia.

April 2008

• April 5: Beta Colllide performs "Theme In Search of Variations III" for flute, trumpet, piano, and percussion at Willamette College, Oregon. 7pm, free.
• April 17: "How to Listen...& Look"—a lecture/demonstration on contemporary music for the Stanford University Lively Arts, featuring performances of "Echolalia" and "Mouseketier Praxis." Cantor Arts Center, 6:30pm, free.
• April 23: Lecture to the composition colloquium, Northwestern University, Evanston, Illinois. 5pm.
• April 24: Lecture to the composition seminar, Roosevelt University, Chicago. 6-7:15pm.
• April 25: Improvisation workshop for Music Educators (11am) & lecture to the Composers Forum (2pm) at the University of Illinois, Urbana-Champaign.
• April 26: Andy Meyerson performs Narcissus: Strata/Panacea at Stanford University. Campbell Recital Hall, 8pm.

May 2008

• May 13: Eardrum Percussion Duo performs "Go, Dog. Go!" at the Musikhochschule Freiburg, Germany. 8pm.
• May 30: A concert with the mouseketier sound-sculpture and live electronics at the Musik-Akademie der Stadt Basel Instrument/Interface Festival in Switzerland. Also, performances of "Pre-Composition", "Plundergraphic", and "Variations on Variations on a Theme by Mozart." 7pm.
• May 31: An afternoon workshop presentation on the mouseketier sound-sculpture with live electronics at the Musik-Akademie der Stadt Basel Instrument/Interface Festival in Switzerland.

June 2008

• June 6: Concert of the Applebaum Jazz Piano Duo at the University of Chicago. Mandel Hall, 3pm.
• June 19: Atelier presentation of visual art to the Stanford Contemporary Collectors Circle. PINK Studio, 10:30am.
• June 24: Beta Collide performs "Theme In Search of Variations III" twice at the Astoria Music Festival, Astoria, Oregon. 7:30pm.

July 2008

• July 5: Premiere of the new chamber work "Medium" by the Quiet Music Ensemble, commissioned by the Quiet Music Festival, Cork, Ireland. The Glucksman Gallery.

August 2008

• August 1: Solo jazz piano recital at the Stanford Sierra Camp, South Lake Tahoe. 9:30pm.
• August 2: "Pre-Composition" for 8-channel tape is presented at the Inventionen Festival in Berlin, Germany. Berlin TU, WFS-Hörsaal 0104, 8:30pm. See also: http://www.inventionen.de/Inventionen_08/
• August 2: Mind Altering Concert: A mouseketier and live electronics concert under the stars at the Stanford Sierra Camp, South Lake Tahoe. 9pm.
• August 2: "Elegy" for carillon is performed by Arie Abbenes at the Heiligenkreuz Monstary, Austria.

September 2008

• September 2: Mind Altering Concert: An outdoor performance with the mouseketier electroacoustic sound-sculpture and live electronics. Location update: the Braun Music Center Courtyard (next to the Campbell Recital Hall), Stanford University, 8pm. Free. (Feel free to bring chairs, pillows, or blankets...) Note Revised Date.
• September 12: Concert of the Applebaum Jazz Piano Duo at the Community School of Music and Arts, Mountain View, California. Tateuchi Hall, 7pm. Free.
• September 16: Concert of SO-[sic]—the Sophomore College Stanford Improvisation Collective. Including performances of 48 Objects, Wristwatch: Geology, and 5:3. CCRMA, 8pm. Free.
• September 17: "Go, Dog. Go!" for two percussion is performed by the Percussion Ensemble Freiburg at the Cracking Bamboo International Percussion Festival, National Academy of Music, Hanoi, Vietnam.
• September 25: "Go, Dog. Go!" for two percussion is performed by the Percussion Ensemble Freiburg at the Cracking Bamboo International Percussion Festival, National Culture Centre, Vientiane, Laos.
• September 28: "Go, Dog. Go!" for two percussion is performed by the Percussion Ensemble Freiburg at the Cracking Bamboo International Percussion Festival, Chenla Culture Palace, Phnom Phen, Cambodia.

October 2008

• October 3: Keyboard Madness! with The Idiom Idiots—Mark Applebaum & Mahan Esfahani perform baroque and jazz repertoire on inappropriate keyboard instruments from the 17th, 18th, 19th, 20th, & 21st centuries. Stanford University, Campbell Recital Hall, 8pm. Free.
• October 12: "Catfish" is performed by the TimeTable percussion trio at the Bloomingdale School of Music, 323 W. 108th St., New York City. David Greer Hall, 3pm.
• October 17: Brian McWhorter performs "Entre Funérailles I" for solo trumpet. White Stag Building, 70 NW Couch St, Portland, OR. 8pm, free.
• October 18: Brian McWhorter performs Entre Funérailles I for solo trumpet. University of Oregon School of Music and Dance, Eugene. 8pm.
• October 21: Composers Colloquium presentation with the Adorno Ensemble at San Francisco State University, Knuth Hall, 2-4pm.
• October 23: The Adorno Ensemble performs "Accretion/Deletion" for string quintet, "Identity Destruction Sport" for septet or strings, percussion, and electric guitar, and "Theme In Search of Variations II" for quintet. Also an electronic music performance for mouseketier sound-sculpture. San Francisco State University, Knuth Hall, 8pm. Free.

November 2008

• November 8: The Stanford University New Ensemble performs the septet "Identity Destruction Sport." Campbell Recital Hall, 8pm.
• November 9: Performance of "Catfish" by SO Percussion in Petrozavodsk, Russia.
• November 11: Performance of "Catfish" by SO Percussion at the PRO ARTE Festival in St. Petersburg, Russia. The Hermitage Museum Concert Hall. 8pm.
• November 12: A public lecture for the PRO ARTE Festival in St. Petersburg. Institute Pro Arte: Peter & Paul Fortress. 6pm.
• November 13: Applebaum portrait concert of chamber works and electronic music at the PRO ARTE Festival: Mobile for Paper; Wristwatch: Geology; Intellectual Property for disklavier; Snagglepuss ReMix; Elegy for piano; Elegy ReMix; Variations on Variations on a Theme by Mozart; Plundergraphic; Meditation; Mouseketier Praxis; and Pre-Composition. Performances by Mark Applebaum, SO Percussion, and others. Yamaha Music Center concert hall, St. Petersburg, Russia, 7pm.
• November 20: Performance of "Catfish" by SO Percussion at the Vitoria Contemporary Music Festival in Spain.
• November 24: "Janus" for five winds and five strings is performed by the Northwestern University Contemporary Music Ensemble. Pick-Staiger Hall, Evanston, IL. 7:30pm.

December 2008

• December 4: [sic]—the Stanford Improvisation Collective—in concert, including a performance of Wristwatch: Geology. Campbell Recital Hall, 8pm. Admission is free.
• December 5: [sic]—the Stanford Improvisation Collective—performs for a highly sophisticated and critical audience of 3- and 4-year olds at the Bing Nursery School, Stanford University, 3pm.
• December 5: "Catfish" is performed by the TimeTable percussion trio at the New York School of Art and Design.
• December 7: <541> presents Interval 100—new 100-second musical works by Stanford composers paired with new 100-second films by Stanford film-makers. Including a performance of Tlön ReMix. Campbell Recital Hall, 8pm. Free.

February 2009

• February 8: Andrew Kozar performs "Authenticy" for solo trumpet and "The Composer's Middle Period" for sextet at the Manhattan School of Music.
• February 14: WEX performs Ferneyhough ReMix for percussion duo and tape at the "Open Dag" at Koninklijk Conservatorium, The Hague, Netherlands.

March 2009

• March 7: Pre-Composition for 8-channel tape is played at the Virtual Music Week, University of Nebraska, Omaha.
• March 11: Solo jazz piano recital at the American Cathedral, Paris.
• March 12: Lecture at the Sorbonne, Paris. Noon-2:00.

April 2009

• April 1: The Metaphysics of Notation—twelve 10" x 70" score panels and two mobiles—opens at the Cantor Art Center, Stanford University. Musical realizations by various artists on Fridays at noon through March 1, 2010.
• April 1: The Meridian Arts Ensemble performs "Magnetic North" at SUNY Buffalo, Allen Hall Theater, with live broadcast on WBFO.
• April 3: TimeTable performs "Catfish" for percussion trio at the Players Theater, New York CIty.
• April 18: Performances of Mouseketier Praxis and Intellectual Property at the Music and the Brain symposium, CCRMA, Stanford University. 1:30-2:15.

May 2009

• May 1: The Applebaum Jazz Piano Duo in concert at the University of Oregon, Eugene, 8pm.
• May 4: Live performance of The Metaphysics of Notation at the Sound-Bytes New Music Series at the University of Oregon, Eugene. 11:54am-12:08pm.
• May 4: Lecture to the advanced electronic music seminar, the University of Oregon, 3pm.
• May 9: Solo jazz piano concert-lecture at Leading Matters, a symposium by the Stanford Alumi Association at the Moscone Center, San Francisco. 3:45pm & 5:15pm.
• May 15: Mark Applebaum's Concerto for Florist and Ensemble is performed at the Cantor Art Center, Stanford University. With Terry Longshore, Steve Schick, Jane Rigler, Scott Rosenberg, Brian McWhorter, Tom Nunn, Mark Dresser, and James DelPrince, florist. 7pm, free.
• May 17: Concert by the Applebaum Jazz Piano Duo for the Stanford Jazz Workshop Education Series, 3:30.

June 2009

• June 3: Net vs. Net networked concert at CCRMA, Stanford, SARC, Belfast, Santiago, Chile, RPI, New York, and Banff, Canada. Performance by Pedro Rebelo, Franziska Schroeder, and Mark Applebaum of "Medium." 12:30pm PST.
• June 12-23: The Roots and Rhizomes international percussion conference with Steve Schick and others, Banff Centre for the Arts, Canada. Premiere of Straightjacket, a new commissioned work for soloist and percussion quartet on June 18, 8pm. Lecture on percussion works on June 15, 10:30am.
• June 15: WEX performs Ferneyhough ReMix for percussion duo and tape at The Nutshuis, The Hague, Netherlands.
• June 28: Entre Funérailles II for vibraphone is performed by Mike Truesdell at the Zeltsman Marimba Festival, Lawrence University, WI, 8pm.
• June 29-July 19: Master Artist residency at the Atlantic Center for the Arts, Florida.
• June 30: Evening solo concert of mouseketier sound-sculpture and piano improvisations at the Atlantic Center for the Arts, Florida.

August 2009

• August 31-September 4: Lectures and recitals as visiting professor at the University of Chile, Santiago.

September 2009

• September 2: Solo jazz piano recital at the University of Chile, Santiago.
• September 3: Portrait concert of electroacoustic works at the University of Chile, Santiago.

October 2009

• October 8: Mouseketier sound-sculpture performance at the Daniel Pearl Memorial Concert. Stanford University, Memorial Church, 8pm, free.