• August 9: Jane Rigler performs Entre Funérailles IV for solo flute in concert in Girona, Spain.
• August 16: Performance by Mark Applebaum and Paras Kaul of their collaborative work That Brainwave Chick, an installation in which neural activity is transformed into sound, at SIGGRAPH 2001 in Los Angeles. Performances at 10 am, noon, and 2 pm.

• September 11: NOVA guest artist concert at the University of North Texas, Denton. Mark Applebaum and UNT players present Intellectual Property for disklavier and pianist, S-tog for sound-sculptures, Tlön for 3 conductors and no players, Meditation for piano 6 hands, 1:00 for string quartet, Narcissus ReMix for tape, and Tlön ReMix for tape. Additional Music Now convocation presentation at 11 am on the previous day, September 10. (Moved to September 12.)
• September 12: Concert of electro-acoustic music featuring the new "Mouseketier" sound-sculpture and an interactive video collaboration with electric cellist Joseph Harchanko at the University Texas, Austin, 2 pm. Subsequent lecture at 3:30. (Cancelled due to world events.)

• October 5: Stanford University Friends of Music Faculty Showcase presents a concert and discussion by Mark Applebaum featuring his uncompromising and unmarketable music, jazz piano performance, and sound-sculpture improvisation. The program begins at 8 pm in the Campbell Recital Hall, Braun Music Center on the Stanford campus. 5$ (free to Friends of Music).
• October 11: A New York Debut. Speculum Musicae performs Scipio Wakes Up (originally commissioned by the Paul Dresher Ensemble) for violin, bassoon, 2 electronic keyboards, electronic drumset, electronic marimba, and 6 sound-sculptures. Part of the American Composers Orchestra's "OrchestraTech" Festival, the concert will take place at 8 pm in Merkin Hall, New York City.
• October 17: Lecture-demonstration on the Wesleyan University Colloquia Series, Middletown, Connecticut: "Schizophrenia, Narcissism, Self-Loathing, and Compulsive Hermetic-Hermeneutic/Exigent-Exegesis Disorder: Psychological Dilemmas in the Music of Mark Applebaum". 4:15 pm.
• October 19: Composition Colloquium ("Schizophrenia, Narcissism, and Self-Loathing: The Music of Mark Applebaum") at the University of California, Berkeley in Morrison Hall at 3 pm. Subsequent evening concert of electro-acoustic music at CNMAT, Berkeley, including Tlön for 3 conductors and no players.
• October 24: The Applebaum Jazz Piano Duo peforms at Stanford University at 8 pm in Dinkelspiel Auditorium. Jazz standards and original compositions for two pianos with Robert Applebaum of Chicago. $8 ($4 for students).

November 2001

• November 1: A concert of works by Mark Applebaum at Brevard College, North Carolina including Triple Concerto for piano, percussion, contrabass, concertante, and large choir.
• November 2: Jazz piano performance with the Brevard College jazz ensemble, North Carolina.
• November 3: Performance at the Smithsonian, Washington D.C., by Mark Applebaum and Paras Kaul of their collaborative work That Brainwave Chick, an installation in which neural activity is transformed into sound. (Cancelled due to anthrax scare.)
• November 9: Aphorstic Fragment, a work for video, will be performed at Harvey Mudd College, Claremont, CA, at the Harmony of Sound and Light. Galileo Auditorium, 7 pm.
• November 27: Narcissus ReMix, Tlön ReMix, and the video Aphoristic Fragment will be heard and seen in a concert at the University of Iowa, Iowa City.

January 2002

• January 27: Jane Rigler performs Entre Funérailles IV for solo flute at TUVA, Berkeley, California.
• January 31:Jane Rigler performs Entre Funérailles IV for solo flute at the Luggage Store Gallery, San Francisco. Also an "unplugged" improvisation on Mouseketier with Jane and Bay Area wind players Phillip Gelb & Tom Bickley.

February 2002

• February 4 : The Southern Oregon University Percussion Ensemble performs its arrangement of Meditation (piano 6 hands) for piano, vibraphone, and glockenspiel. SOU 8 pm.
• February 26 : A collaborative sound-sculpture performance with Paul Dresher and his new long string instrument, the Quadrachord, at CCRMA, Stanford University, 8 pm.

March 2002

• March 7: Griffin Campbell premieres Neo-Tribes for solo alto saxophone at NASA (the North American Saxophone Alliance conference) at the University of North Texas, 2:05 pm.
• March 19: MAVerick Art Organization performance in Chicago at the Ukrainian Museum of Modern Art, 7:30pm.
• March 20-21: Lectures and performances at Lewis University, Romeoville, Illinois, including a lecture/recital in the Philip Lynch Theatre on March 20 at 7:30pm.
• March 22-24: Guest Artist at Electronic Music Midwest 2002, Kansas City. Performances of 17 works on 9 different concerts of electro-acoustic music including:
  • Intellectual Property I for disklavier & pianist
  • S-tog for mouseketier & live electronics
  • Suicides (1956, 1970) for 2-channel tape
  • Pre-Composition for 8-channel tape
  • Plundergraphic for 8-channel tape, piano, live electronics, & live diffusion
  • Aphoristic Fragment for video
  • The Janus ReMixes for 2-channel tape; 11 selections

April 2002

• April 4: Guest lectures at the University of Northern Iowa.
• April 5: Performance of S-tog for sound-sculptures and live electronics at SEAMUS 2002, The University of Iowa, Iowa City.
• April 8: Performance of selections from The Janus ReMixes at Ball State University, Indiana.
• April 11: Griffin Campbell performs Neo-Tribes for solo alto saxophone at the University of Illinois at Urbana-Champaign.
• April 12: Paper, "Plundering Genres in the Digital Environment", on the music of John Oswald at Experience Music Project's April 11-14 conference in Seattle: Crafting Sounds, Creating Meaning: Making Popular Music in the U.S.
• April 15: The American Composers Orchestra plays Skumfiduser! for orchestra plus tape at their Whitaker Reading Sessions, Columbia University, New York City. Conducted by Dennis Russel Davies.
• April 25: Premiere of the complete seven-work cycle Sum=Parts for chamber orchestra by the University of Illinois at Urbana-Champaign New Music Ensemble. The cycle includes:
  • 56 1/2 ft. for chamber orchestra
  • Authenticity for trumpet solo
  • Integrity for 2 percussion & piano
  • Depth for trombone & contrabass
  • Merit for wind quintet
  • Seriousness for string trio
  • 56 1/2 ft. (reprise) for chamber orchestra

May 2002

• May 1: Composition Colloquium at San Francisco State University, noon-1pm.
• May 12: "An Afternoon of Music for Digits and Fingers": a performance with Chris Chafe, celleto, and electro-acoustic sound-sculptures at the San Jose Museum of Art.
• May 13: Sargasso ReMix is performed at Bilgi University, Istanbul, Turkey, 2:30pm.
• May 22: Lecture: What Matters to Me and Why. Stanford University Memorial Church, noon.

June 2002

• June 26: Performance of S-tog for sound-sculptures and live electronics at the Essl Museum, Vienna, Austria.
• June 27: Lecture/demonstration at The Bruckner Conservatory, Linz, Austria. 2-5pm.

July 2002

• July 25: Performance of Pre-Composition for 8-channel tape at the CCRMA Summer Concert, Stanford University. The concert starts at 8pm; pre-concert interactive demos and installations start at 6pm.

August 2002

• August 1: Sonic Circuits performance of S-tog for sound-sculpture and live electronics at the Kennedy Center, Millennium Stage, Washington, D.C., 6pm. Admission is free.
• August 2: Sound-sculpture and live electronics performance at George Mason University, Virginia, 8pm. Admission is free.
• August 17: Lecture on MetaSynth at the G.U.I. (Gesturing the UPIC instrument) symposium at University of California, Santa Cruz.
• August 17: Installation performance with sound-sculptures and live electronics at the Woodstockhausen 2002 Festival, Santa Cruz. Pre-concert installation from 7pm-8pm; concert at 8pm.

October 2002

• October 6: Lisa Goethe-McGinn performs Entre Funérailles IV for solo flute at HotHouse, 31 E. Balbo, Chicago. 2pm.
• October 10: Jazz piano performance at a Memorial Concert for Daniel Pearl, Stanford University alumnus. At the Stanford Memorial Church, 8pm; admission is free. Also appearing: the St. Lawrence String Quartet.
• October 11: Chamber Music Live at Stanford University: Improvisations by Mark Applebaum and Friends, including the California premiere of the Concerto for Florist & Ensemble. Featuring James DelPrince, performance florist; Paul Dresher, quadrachord; Fred Frith, electric guitar; Terry Longshore & Brett Reed, percussion; Chris Chafe, cello & celleto; Pat O'Keefe, clarinets; & Mark Applebaum, piano and sound-sculptures. Campbell Recital Hall, 8pm. $10 ($5 for students).
• October 16: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University CCRMA Ballroom, 8pm. Admission is free.
• October 17: Flutist Lisa Goethe-McGinn performs Entre Funérailles IV at Columbia College, 1014 S. Michigan Ave., Chicago. Noon.
• October 30: Slice & Dice I. New tape works by students of the Stanford University Music 120 class. CCRMA Ballroom, 8pm. Admission is free.

November 2002

• November 7: Sargasso ReMix for tape is presented at the Brooklyn College Conservatory of Music Electroacoustic Music Festival, 7pm.
• November 10: Works for piano, tape, and sound-sculptures with live electronics in a solo recital at Dartmouth College, Hanover, New Hampshire, 6pm. Also: morning lecture on November 11 at Dartmouth.
• November 13: "Janus"—for 5 winds and 5 strings— is performed by the Callithumpian Consort at the New England Conservatory of Music, Boston. Also: afternoon lecture at NEC.
• November 25: Slice & Dice II. New works by students of the Stanford University Music 120 class for multi-channel tape and live performers. CCRMA Ballroom, 8pm. Admission is free.
• November 29: Triple ReMix for tape is presented at Hong Kong Baptist University's Contemporary Music Workshop Concert, Kowloon, Hong Kong, 1:30pm.

December 2002

• December 5: Works will be performed by Zeitgeist on their "Rituals & Remembrance" program at InterMedia Arts in Minneapolis, including "Go, Dog. Go!" for two percussion; "column facing on 3 behind lintel"— a docudrama about architect Louis Sullivan—for bass clarinet, piano, and two percussion; and "Pre-Composition" for 8-channel tape.

January 2003

• January 29: Pianist Gloria Cheng performs "Discipline 1: Heliopolis" from "Disciplines" in a recital of virtuoso contemporary piano works. Stanford University, Campbell Recital Hall, 8pm. Admission is free.

February 2003

• February 3: A concert for The Work of Art and the Creation of Mind featuring sound-sculpture performances, jazz piano, and "Tlön" for 3 conductors and no players. Campbell Recital Hall, Stanford University, 1:15pm. Free.
• February 6: A solo jazz piano recital in Kimball Hall at Stanford University. 7-8pm, free.
• February 14: Lecture-demonstration with Electroacoustic Sound-Sculptures & Live Electronics. CCRMA Ballroom, Stanford University. 10am.
• February 22: Tlön for 3 conductors and no players is performed at the NOW Music Festival/The College Music Society. Diablo Valley College, Pleasant Hill, CA. 7pm.
• February 28: A lecture/dialogue with Parag Chordia about intersections and differences among Western and Indian classical musics for the Sanskriti South Asian Organization; open to the public. A3C Ballroom in the Old Union, Stanford University, 4:30-5:30pm.

March 2003

• March 5: The Calliope duo performs at San Francisco State University including a performance by pianist Shannon Wettstein of "Discipline 3: Ontological Shock" from "Disciplines". 8pm.
• March 13: Debut of [sic]—the Stanfjord [sic] Improvisation Collective—with special guests the St. Lawrence String Quartet. Campbell Recital Hall, Stanford University, 8pm. Admission is free.
• March 15: Pre-Composition for 8-channel tape is performed at SEAMUS (the Society for Electroacoustic Music in the United States) at Arizona State University, Tempe. 8:30pm.
• March 31: Harvard University Composition Colloquium lecture/demonstration, noon.

April 2003

• April 1: Presentation to the Columbia University Computer Music Center, 8pm.
• April 2: Composers Forum lecture at the Brooklyn College Conservatory of Music, 6pm.
• April 2: Choreographer Brittany Brown premieres her dance ensemble’s interpretation of Tlön ReMix and Sargasso ReMix. At Pilot 40, a collection of San Francisco’s local emerging choreographers, ODC Theater, 3135 17th St. @ Shotwell, San Francisco, 8pm. $12.
• April 3: Princeton University Composers’ Colloquium, 4:30pm.
• April 5: Pre-Composition for 8-channel tape is performed at the Florida Electroacoustic Music Festival, University of Florida, Gainesville, Center for the Performing Arts Black Box Theater, 8pm.
• April 11: Steve Schick & Ivan Manzanilla perform "Ferneyhough ReMix" for 2 percussion & tape and "Narcissus: Strata/Panacea" for solo marimba at the opening concert of the Stanford University Music from the Edge Festival. Campbell Recital Hall, 8pm.
• April 12: A performance of S-tog for Mouseketier and live electronics with Chris Chafe, celleto, at the Mousetraps and Toys concert of the Stanford University Music from the Edge Festival. CCRMA Ballroom, 4pm.
• April 13: Plundergraphic (for amplified piano, 8-channel tape, and live electronics) is performed by Piano Plus with Jennifer Hymer during the Stanford University Music from the Edge Festival. CCRMA Ballroom, 8pm.
• April 25 & 26: Choreographer Brittany Brown presents her dance ensemble’s interpretation of Tlön ReMix and Sargasso ReMix at the Stanford "Spring Migration" dance show. Roble Dance Studio, Stanford University, 8:30pm.
• April 28: A concert of trio improvisations with Matt Turner and Ryan Francesconi at the Lawrence University Electronic Music Festival, Appleton, Wisconsin. 9:30pm. www.lawrence.edu/sorg/emc/
• April 29: Solo recital at Lawrence University Electronic Music Festival, Harper Recital Hall, 9:30pm. Also, a morning lecture, 9:30am. www.lawrence.edu/sorg/emc/

May 2003

• May 1, 2, & 3: Choreographer Brittany Brown presents her dance ensemble’s interpretation of Tlön ReMix and Sargasso ReMix at the Stanford "Spring Migration" dance show. May 1 in an outdoor performance at the Cantor Art Museum, 6pm. May 2 & 3 at the Roble Dance Studio, Stanford University, 8:30pm.
• May 2: Pianist Shannon Wettstein performs "Discipline 3: Ontological Shock" from "Disciplines" at Bemidji State University, Minnesota.
• May 8: A solo jazz piano recital in Kimball Hall at Stanford University. 7-8pm, free.
• May 9: An improv performance of John Zorn's "Cobra" with [sic] at Stanford University, Campbell Recital Hall, 12:15pm; free. Also a performance with guitarst Ryan Francesconi and flutist Jane Rigler.
• May 11: Sound-sculpture and live electronics performance at the Northwestern University Music Marathon in the Block Museum Auditorium, 4pm. Also, an evening performance of COBRA with John Zorn in the Pick-Staiger concert hall, 7pm. Plus two subsequent lectures at Northwestern: 9am on May 12; 2:30pm on May 13.
• May 14: A lecture—Musical Schizophrenia: Art vs. Pop—at the Commonwealth Club, San Francisco, noon. Details at www.commonwealthclub.org.
• May 31: SKUMFIDUSER! for orchestra and tape is premiered by the Stanford Symphony Orchestra, Ann Krinitsky, conductor. Dinkelspiel Hall, Stanford University. 8pm.

June 2003

• June 1: SKUMFIDUSER! for orchestra and tape is performed by the Stanford Symphony Orchestra, Ann Krinitsky, conductor. Dinkelspiel Hall, Stanford University. 2:30pm.
• June 7: "Pre-Composition" for 8-channel tape is performed at the Bourges Festival in France.
• June 8: "Pre-Composition" for 8-channel tape is performed at the University of Washington in Seattle, 3pm.
• June 25: Pianist Shannon Wettstein performs "Disciplines" for piano at the New England Conservatory of Music, Boston, during the Summer Institute for Contemporary Piano.
• June 30: Lecture—"Chamber Music from the Composer's Perspective"—at the Stanford Summer Chamber Music Institute. Stanford University, 4:30pm.

August 2003

• August 23: "Chamelon ReMix" for 2-channel tape is performed at the Electric Rainbow Coalition Festival at Dartmouth College, Hanover, NH. Warren Bentley Theater.
• August 24: A percussion arrangement of "Meditation" is performed by the Conundrum Quartet at The Omaha Chamber Music Society. Fontenelle Forest Nature Center in Bellevue, Nebraska, 7pm.

September 2003

• September 7: Wired Gardens: An outdoor installation of electro-acoustic sound-sculptures with Chris Chafe and friends at the Cantor Art Center Museum on the Stanford campus. Also, a performance of "Plundergraphic" for acoustic instruments and 8-channel tape. Concert at 2pm; installations at 3pm.
• September 12: Oni Buchanan performs the "Omnibus Etude" for solo piano at the New School of Music, Cambridge, Massachusetts, 7:30pm.
• September 19: "Pre-Composition" for 8-channel tape is performed at the University of Virginia TechnoSonics Concert.
• September 19: Oni Buchanan performs the "Omnibus Etude" for solo piano. The Grolier Poetry Bookshop Benefit Recital, Harvard Square, Boston, 8pm.
• September 24: "Pre-Composition" for 8-channel tape is performed at the Ball State University Electronic Music Concert, Muncie, Indiana.

October 2003

• October 1: "Pre-Composition" for 8-channel tape is performed at the ICMC (International Computer Music Conference) in Singapore.
• October 4: "Catfish" for percussion ensemble is performed by the Minnesota Percussion Trio at Kennedy High School, Bloomington, Minnesota, 7 p.m.
• October 9: "Elegy" for solo piano is performed at the Daniel Pearl Music Concert. Stanford Memorial Church, 8pm; admission is free.
• October 10: The Applebaum Jazz Piano Duo perform a matinee concert at San Francisco State University. Knuth Hall, 1-2pm.
• October 10: The Applebaum Jazz Piano Duo in concert at Stanford University during the Stanford Chamber Music Live Festival. Dinkelspiel Auditorium, 8pm; $10/$5 students. A pre-concert lecture-demonstration, "Inside Jazz", from 6:30-7:30 is offered through Stanford Continuing Studies: http://continuingstudies.stanford.edu/
• October 15: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University CCRMA Ballroom, 8pm. Admission is free.
• October 18: A lecture—Musical Schizophrenia: Art vs. Pop—at the Stanford University Reunion. 10-11am. Location TBA.
• October 29: "Plundergraphic" and "Snagglepuss ReMix" are performed at the CCRMA fall concert at Stanford University. Campbell Recital Hall, 8pm; free.

November 2003

• November 11: "Culture Sculpture" a lecture/demonstration with the Mouseketier sound-sculpture and live electronics at Stanford University. In the Schiff House Lounge in the Sterling Quad. 6-7pm; free.

December 2003

• December 1: Collaborative Music: The premiere of Decameron, a 10-movement work composed collaboratively by Stanford Graduate Composers. Performed by Matt Ingalls, clarinet, Elaine Kreston, cello, & Terry Longshore, percussion. Also, performances of Entre Funérailles II for vibraphone and Tlön for 3 conductors and no players. Campbell Recital Hall, 8pm; free.
• December 17: Solo jazz piano concert in Ouagadougou, Burkina Faso, The National Theater, sponsored by the American Embassy. 8pm.

February 2004

• February 13: Griffin Campbell performs "Neo-Tribes" for solo alto saxophone at the 59th Festival of Contemporary Music, Louisiana State University, 8pm.
• February 20: Griffin Campbell performs "Neo-Tribes" for solo alto saxophone. Stanford University, Campbell Recital Hall, 8pm; free.
• February 26: [sic]—the Stanfjord [sic] Improvisation Collective Goes to High School (PG-13). Menlo-Atherton High School, 7:50am!
• February 27: Lecture at the Eastman School of Music composition symposium (including a performance of the "Omnibus Etude" by pianist Thomas Rosenkranz), 3:30-5:00, Rochester, NY.

March 2004

• March 1: The St. Lawrence String Quartet premiere "20" at the University of Toronto Chamber Music Series, 7pm. Also: a noon lecture at the University of Toronto.
• March 1: The NYU New Music Ensemble performs with the electronic score "Anesthesia ReMix". New York University Frederick Loewe Theatre, 8pm; free.
• March 2-3: Performances and lectures as Visiting Artist at the University of Michigan ECLECTRONICA Microfestival. March 2 8pm concert includes "Snagglepuss ReMix" and "Pre-Composition" for 8-channel tape; March 3 8pm concert includes "Anesthesia ReMix", "Plundergraphic" for 8-channel tape and live instruments, "Mouseketier Praxis" for sound-sculpture and live electronics, and a pre-concert lecture at 7:30. A 4pm lecture occurs on March 3 in the Electronic Music Class.
• March 7: [sic]—the Stanfjord [sic] Improvisation Collective—and Wet Ink undergraduate composers concert. Campbell Recital Hall, Stanford University. Admission is free.
• March 9: A solo jazz piano recital in Donner Hall at Stanford University. 10-11pm, free.
• March 27: Performances of "Mousektier Praxis"— for sound-sculpture and live electronics—and "Snagglepuss ReMix"— for 2-channel tape— at SEAMUS (the Society for Electroacoustic Music in the United States) at SDSU—San Diego State University. 8:30pm.
• March 29: Culture Sculpture, a lecture-demonstration with sound-sculptures and live electronics to the UCSD department seminar (11am). The University of California at San Diego, La Jolla.

April 2004

• April 3, 23, 24, 30 & May 1-2: Minneapolis-based James Sewell Ballet performs "Awedville" including the music "Strike: 3/2+5:2 Groove" from the CD "Mousetrap Music". Performances include Michigan State University, the College of St. Catherine, and other venues. <www.jsballet.org>
• April 10: Performance of "Entre Funérailles IV" for solo flute by Linda Wetherill at the New Music Miami ISCM Festival. Wolfsonian—Florida International University, Miami, 4pm.
• April 14: The St. Lawrence String Quartet perform the U.S. premiere of "20" at Stanford University. 8pm.

May 2004

• May 6-8: Serving as a juror for the national Jazz Piano Competition of the American Pianists Association in Indianapolis.
• May 22: The Stanford Symphony Orchestra premieres Martian Anthropology, a work for new SSO conductor Jindong Cai. Stanford University, Dinkelspiel Auditorium, 8pm.

June 2004

• June 13: "Mouseketier Praxis" for 2-channel tape is played at Columbus State University Electronic Music Lab's Electronic Music Festival '04. CCAD Madd Lab, 8:30pm.
• June 18: The Applebaum Jazz Piano Duo in concert at Carleton College, Northfield, Minnesota. Concert Hall, 8pm.
• June 21: Sound-sculpture performance at the summer solstice Garden of Memory: A Columbarium Walk-Through Event at the Chapel of Chimes, 4499 Piedmont Ave. (next to Mountain View Cemetery) in Oakland. 5-9pm. See www.gardenofmemory.com.

July 2004

• July 23: The NYU New Music Ensemble performs with the electronic score "Anesthesia ReMix" at the Università di Genova, Italy. Teatro Ariston, 9pm.

August 2004

• August 31: A live interview and concert with the Mousketier electroacoustic sound-sculpture on KFJC Radio, 89.7 FM in the Bay Area with DJ Art Crimes. Also streaming at http://www.kfjc.org. 6-7pm.

September 2004

• September 10: Shannon Wettstein performs Movement 2 ("Cosmo Drama") & Movement 3 ("Ontological Shock") from "Disciplines" for solo piano at California State University, Northridge.
• September 22-25: "Pre-Composition" for 8-channel tape is performed during the Harvest Moon Festival at the Oscar Peterson Concert Hall, Concordia University, Montreal, Canada.

October 2004

• October 14: Solo performances of piano works by Tom Johnson—"Mersenne Numbers" and "Triangles"—at the Daniel Pearl Music Concert. Stanford Memorial Church, 8pm; admission is free.
• October 16: Keyboard Madness! with The Idiom Idiots—Mark Applebaum & Mahan Esfahani perform baroque and jazz repertoire on inappropriate keyboard instruments from the 17th, 18th, 19th, 20th, & 21st centuries. Stanford University, Campbell Recital Hall, 8pm. Free.
• October 20: Improvisations in an informal lunchtime concert with [sic]. Stanford University, Campbell Recital Hall, 12:15pm. Free.
• October 24: Margaret Lancaster performs Entre Funérailles IV for solo flute at re.Wind/Pause/Play. DUBuQue Music Series at Safe-T-Gallery, 134 Bayard Street, Brooklyn (Williamsburg) 4pm; $8.
• October 26: Presentation to the UCSD Composition Focus Seminar. University of California, San Diego, Warren Studio A, 6-8pm.
• October 28: "Pre-Composition" for 8-channel tape is performed at West Chester University, West Chester, PA.
• October 31: A cameo piano performance at the Stanford Symphony Orchestra's Halloween Concert. Stanford University, Dinkelspiel Auditorium, 8pm.

November 2004

• November 3: "Intellectual Property" for disklavier and improvising pianist is performed at ICMC (International Computer Music Conference) at the University of Miami. Gusman Concert Hall, 8pm.
• November 8: "Pre-Composition" for 8-channel tape is performed at the High Voltage concert, Louisiana State University.
• November 14: Peter Burwik conducts Ensemble XX. Jahrhundert in the premiere of "Aslyum" for percussion solo and nonet during the Vienna Modern Festival 2004. At the SCHÖMER-HAUS, Klosterneuburg, Austria.
• November 22: <541> Concert: New works by Stanford composers including the new percussion trio "Theme In Search of Variations". Stanford University, Campbell Recital Hall, 8pm. Free.
• November 27: Culture Sculpture: Making Music with Junk, Found Objects, and Hardware—a lecture-performance with the Mouseketier Sound-Sculpture at the annual gathering of the San Francisco Regional Mensa. San Francisco Holiday Inn, 2pm.

December 2004

• December 1: The New Century Ensemble presents "Pre-Composition" for 8-channel tape at the University of Oklahoma in Norman.
• December 2: Lecture at MATRIX, Leuven University Musicology Department, Leuven, Belgium, 2-3:30pm.
• December 5: Performances with ensemble Champ D'Action at the Time Canvas Festival. MuHKA Contemporary Art Museum, Leuvenstraat 32, Antwerp, Belgium. 11am-6pm.
• December 20: The Applebaum Jazz Piano Duo performs at the Municipal Theater in Tunis, Tunisia. 7pm.

January 2005

• January 19: "Meditation" for piano 6-hands is performed at the University of North Carolina—Charlotte.
• January 21: Margaret Lancaster performs Entre Funérailles IV for solo flute. Also the premiere of Wristwatch: Geology. Stanford University, Campbell Recital Hall, 8pm.
• January 29: "Pre-Composition" for 8-channel tape is performed at the Ussachevsky Festival, Lyman Hall, Pomona College, Claremont, California, 8pm. Free.

February 2005

• February 2: Popcorn! An evening of bizarre and beautiful music videos curated by Mark Applebaum. Stanford University, Campbell Recital Hall, 8pm. Admission is free.
• February 3: "Pre-Composition" for 8-channel tape is performed at Musica Nova, UMKC (University of Missouri, Kansas City Conservatory of Music). White Hall, 7:30pm.
• February 18: "Pre-Composition" for 8-channel tape is performed at the SPARK Festival, University of Minnesota, Minneapolis. Flux Auditorium, Regis Center for the Arts, 4:30pm.
• February 19: The seven-work cycle Sum=Parts for chamber orchestra is performed by Inauthentica--the Cal Arts Contemporary Players--featuring Mark Menzies. Stanford University, Dinkelspiel Auditorium, 8pm. The cycle includes:
  • 56 1/2 ft. for chamber orchestra
  • Authenticity for trumpet solo
  • Integrity for 2 percussion & piano
  • Depth for trombone & contrabass
  • Merit for wind quintet
  • Seriousness for string trio
  • 56 1/2 ft. (reprise) for chamber orchestra
• February 19: "Pre-Composition" for 8-channel tape is performed at the EMS Festival, Stockholm, Sweden.
• February 27: Music and Dance Created by Chance (chance compositions by undergraduate composers in collaboration with choreographers Brittany Brown, Heidi Schweiker, & Hope Mohr), and performances by [sic] —the Stanfjord [sic] Improvisation Collective. 8pm, Roble Dance Studio, Stanford University. Also the premiere of 5:3. Admission is free.

March 2005

• March 8: "5:3" for 8 cracklebox players and 2 amplified dice rollers is performed at CCRMA's MusiCollage at the Cantor Arts Center Museum, Stanford University. The event, in the style of the Black Mountain College happening, runs from 8pm-midnight and concludes with a midnight breakfast. Free.
• March 9-12: "Pre-Composition" for 8-channel tape is performed at the Ithaka Festival in Leuven, Belgium in the Swimmingpool, Hogeschoolplein.
• March 12: "The Bible without God", a new composition performed with The Merce Cunningham Dance Company in a collaborative site-specific event ("White Plaza Event #1"). 2pm-3pm, White Plaza (in front of the Bookstore), Stanford University. Free. Rain Location: Dinkelspiel Auditorium.
• March 24: "Sargasso (83+)" for solo cello is performed by William Jason Raynovich of the the MAVerick Ensemble. At the Renaissance Society in Chicago. 5811 S. Ellis, 8pm.

April 2005

• April 2: Margaret Lancaster performs "Entre Funérailles IV" for solo flute at the BONK Festival. Salvador Dali Museum, St. Peterburg, Florida.
• April 7: The Mind Altering Concert: A 60-minute space improvisation for Mouseketier sound-sculpture and freaky live electronics. Stanford University, Toyon Hall Lounge, 10pm, free. Bring pillows.
• April 9: A lecture-demonstration on sound-sculptures at the STARS Assembly, Stanford University, 11:30am.
• April 10: [sic] performs Cobra at the Stanford Community Day, Cantor Art Center Museum, Stanford University, 3pm.
• April 10: "Sargasso (83+)" for solo cello is performed by William Jason Raynovich of the the MAVerick Ensemble. At the Ukrainian Museum of Modern Art in Chicago.
• April 14: "Pre-Composition" for 8-channel tape is performed at "Electronic Theatre and Diffusion" at the University of Wisconsin—Milwaukee. Peck School of the Arts, Bader Concert Hall, Zelazo Center, 7:30pm.
• April 15: Grace Leslie performs Entre Funérailles IV for solo flute. Stanford University, Campbell Recital Hall, 12:15pm. Free.
• April 16: "Intellectual Property" for disklavier and improvising pianist is performed at SEAMUS (the Society for Electroacoustic Music in the United States) at Ball State University, Muncie, Indiana. 8pm.
• April 17: The premiere of a new guitar piece "DNA" by Swedish virtuoso Magnus Andersson. Norrköping, Sweden.
• April 29: Grace Leslie performs Entre Funérailles IV for solo flute. Stanford University, Campbell Recital Hall, 8pm. Free.

May 2005

• May 5: The guitar piece "DNA" is performed by Swedish virtuoso Magnus Andersson. Stanford University, Campbell Recital Hall, 8pm.
• May 10: The German premiere of Integrity for two percussion and piano by Hajdi Elzeser, Yoana Varbanova, & Margarita Kourtparasidou. Neue Aula der Hochschule für Musik, Detmold, Germany, 7:30pm. 5¤.
• May 12: Lecture at the Award-Winning Teachers on Teaching series. Hartley Conference Center in the Earth Sciences Building, Stanford University. Noon-1pm.
• May 15: Grace Leslie performs Entre Funérailles IV for solo flute. University of California at Berkeley, CNMAT, 8pm. Free.
• May 18: Performance as Guest Artist with The Stanford Jazz Orchestra directed by Fred Berry. Solo, combo, and big band performances of original tunes including big band arrangements of "Tornado Food" & "Buffalo Wings", and the premiere of Agitprop, a new work for electroacoustic sound-sculpture and live electronics with jazz band. Stanford University, Dinkelspiel Auditorium, 8pm.
• May 24: Lara Wickes, oboe, performs Merit for wind quintet with Cal Arts players. USC Catholic Center: 3207 University Avenue, Los Angeles.
• May 27: Mouseketier electroacoustic sound-sculpture performance at the 8th annual Music for People and Thingamajigs festival. The Oakland Metro, 201 Broadway (near Jack London Square), Oakland. 8pm.

June 2005

• June 4 & 5: Collaborative Opera Premiere: "Es lebe der Sport" (scenes composed by Mark Applebaum, Markus Muench, Helga Pogatschar, & Jasna Velickovic, with the LOGOS Foundation robot orchestra of Godfried-Willem de Raes and Moniek Darge)—a co-production of the Bayerische Theaterakademie, the Hochschule für Musik, and the Munich festival ADEvantgarde 2005 with Moritz Eggert and performed by Piano Possible. In the "Reaktorhalle"; Luisenstrasse 37, Munich, Germany. 8pm.
• June 12: The Harmida Trio premieres Jetsam for violin, cello, and piano at the Noe Valley Chamber Music Series. 1021 Sanchez St., San Francisco; 7pm. See www.nvcm.org
• June 13-1 9: "DNA" is performed by guitar virtuoso Magnus Andersson at CoMA (Contemporary Music & Artists) in collaboration with Media Artes new music chamber society. Precise date TBA; www.comasweden.se. Växjö University, Sweden.

July 2005

• July 1: "Integrity" for piano and two percussion is performed at the Eastman School of Music Kilbourn Hall, Rochester, NY.
• July 9: "DNA" is performed by guitar virtuoso Magnus Andersson at Kulturverket in Halmstad, Sweden.
• July 21: CCRMA summer concert — Digital Music Under the Stars — Stanford University, Frost Amphitheater. Performances of "Elegy ReMix" and &